Two hunters discover a dead young woman in a cabin in the woods.One of them being the sheriff, he proceeds to press the wealthy owner for an explanation. At first it looks like his son has killed his unfaithful wife, but the wife's lover and the family butler are acting suspiciously enough to be followed.
A Medium observes the scene of a crime. Her face reflects suffering, her mind is hearing echoes of the past victims. She is tied to Skullface, a ruthless and methodical double life murderer who will not hesitate to exploit her foresight to design the perfect crime.
The journey of 3-year-old Tomy into the magical clown-world beyond his bedroom-wall and his struggle to come back in one piece.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Can fiction surpass reality?
An attractive journalist attempts to interview a writer of ill reputation.
With the loss of Patroclus (his undeclared male lover), Greek warrior Achilles returns to the Trojan War.
Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?
The zombie apocalypse becomes REALITY on The Zombie Factor, the most dangerous show on television. Every episode, someone dies. The Zombie Factor puts contestants head-to-head against flesh-eating zombies. And on this reality show, as the people are eliminated, they become part of the stable of zombies and used against their fellow competitors.
Sam can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic.
The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.
Lili wakes her sister Victoria and insists that they both leave the house.
"I am not from this place," declares a French cowboy. An old toothless man asks, "Do you know why you're here?" These shape-shifting personalities infect young children with an evil signal in the form of a Dutch TV show. The red-eyed girls and boys believe they can now become other people and monsters, much to their delight.
Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.
A 10 year old boy uses his hyperactive, action-figure, water gun slinging imagination to cope with his parents' divorce.
The story chronicles the last days of a man, victim of an epidemic that has turned mankind into degenerate beings void of consciousness; trying to keep his sanity he fights alone against the disease. Though strong in his will to overcome it, he will fall victim before he is aware of it.
The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission.
A fortune teller in the demon world, called an interpreter of signs, reads the fortune of a paranoid demon named Christopher, and discovers he's not telling her the full story.