Claus von Wagner - Theorie der feinen Menschen I

Two boys, age ten, spend their summer in idyllic rural surroundings. They play in the fields, they swim au natural, and more often than not - - - they find themselves in the company of those very beings that a ten-year-old boy pretends to hate..... girls!

BILL is in end of life care waiting for the sweet release of death - but unfortunately for him he is stuck in an infinite time loop, causing the day to restart the second his heart stops... A darkly comic yet sweet and hopeful film all about enjoying the time you have left and saying the important things to the important people.

Chetia, a single mother of an unwanted child, is forced to make a rough living in Torrevieja running balconing bets.

Twenty-two years after losing his home, Arulmozhi Varman returns to his native Thanjavur to attend his cousin's wedding. Amidst the celebrations, Arul is reintroduced to an upbeat man whom he cannot recall. With the help of the unknown man, Arul reconnects with his past.

While former paramedic Emily tries to live a low-key life to cope with her PTSD, her new roommate has other plans, and a long-held vendetta against medical personnel.

Separated by distance, a father watches helplessly as his son’s aggression tears his family apart, until a brutal assault and a police investigation expose secrets that challenge everything they believed about love, guilt, and protection.

A boy learns that to inherit from his rich uncle he must follow the will

As a family of siblings and their spouses gathers at their father's deathbed, old jealousies and new angers and liaisons lead to an inevitable climax.

Kerstin floats stoically across the Mecklenburg Lake District in her red GDR kayak. Aimlessly, between tourism and dreariness, she glides over the water for days, striving to remain alone. The many rivers and lakes are familiar to her. But where does Kerstin come from? What is she fleeing from? Who is pursuing her? The evenness of this journey breaks when Alima appears, finally asking the paddling loner the right questions.

An estranged grandson and his grieving grandfather reconnect through an unfinished bucket list, healing old wounds and rebuilding their bond.

Assaf wasn’t brought up by his father, and when he dies, he meets his family for the first time, and as the only son, he’s revealed as the sole successor. When Assaf falls in love with Miriam, a homeless woman who stays in his backyard, a Pandora’s box is unleashed.

Susannah and Jesse Stanton divorced two years prior with three children. When Susannah starts dating a lawyer, the children decide to find someone for their father, sending a letter to a popular magazine called Alaskan Love. He receives a large number of responses, but the children later feel that his perfect match is Susannah, and they try to arrange a plan to bring them together.

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)

"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)

In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.

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In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

A passion between a 42 years old man and a young girl.

After a one-night stand with her coach, a pressured swimming phenom finds the lives of herself and her loved ones in danger.

Winsor McCay recreates the sinking of the ocean liner Lusitania by a German U-boat in this propaganda piece designed to stir up anti-German sentiment during World War I.