Me + Her

As they penetrate deeper into the darkness of the forrest, a group of hunters guided by a wolf is getting closer and closer to the source of the original sin.

Midori is a high school student of a brand new school. Elected as a member of the first student body government, Midori and the rest of the officers decide to put together a gakuen-sai--a school festival. Midori likes Akira, who happened to help her out during the election speech (she fell on stage, with some more embarrassment). She's excited about working for the festival, especially since she gets to work with Akira. She tries to be a match-maker for Mamiya-san (Mami-ryn) and Sudoh-kun during the process too.

Naïve insurance agent 'Cyclone' Case falls in love with Sylvia Martine, whose father has a dispute with gangster Mike Slade. When Sylvia is kidnapped by Slade and his gang, 'Cyclone' decides to save her and wanders straight into a gang war without even realizing it.

Alex returns to his village with Jordi, after a while, in order to celebrate San Juan night. However, due to a summer storm, they have to shelter in an old abandoned house where both played when they were children. In there, some conflicts of the past will turn up.

Fran has a picture and a goal: to beat up the boy who appears in it.

"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."

IN THE SWITCH TOWER stars Walter Edwards (who also directed) as Bill Wharton, a middle-aged alcoholic who was once a leading engineer with a railroad. Wharton is estranged from his son Joel (Frank Borzage), who now works as an executive with the railroad, but Frank does send him money through Bill's longtime friend, Louis Hall (Robert Hall).

Following a TV News which announce the landing of aliens in Romania, Eugen (9) steals a camera from the shop where his father works as a guard and starts filming his everyday life and then disappears. When he is found, the little boy's footage is misinterpreted by the media.

Where does love go when lovers break apart? Or when they stay together? How do you find the spirit to fall in love again? Is it permissible-possible and is it possible-legal to love several people at the same time? What becomes of our love after death, is it really that important or simply inevitable? This is about the laws of love, which are as simple as one, two, three, when we are still in love, but incomprehensible and unexplainable once love retreats. About the logic of the heart, which has nothing in common with common logic, just like non-Euclidean geometry disproves and surpasses the Euclidean one.

Saudamini is a pampered girl until she is forced to marry the widower Ghanshyam and move into his large household. Saudamini cannot cope with her husband's overbearing and greedy stepmother and pines after the man she really loved and had to abandon, Narendra.

Filmmaker-griot coming from the theater, it was with a camera, while the war in Vietnam occupied everyone's minds, that Sarah Maldoror gave visibility to the African wars of decolonization: Angola, Guinea Bissau, French Guinea, Cape Verde... Her short film Monangambée addresses the torture by the Portuguese army of a sympathizer of the Angolan resistance. At the end of editing, Sarah Maldoror approached the members of the Art Ensemble of Chicago during a Parisian concert and offered to add sound to her film. The next day they watched the film, were convinced and recorded their first soundtrack for free as evidence of African-American solidarity. Shot in Algiers, Monangambée is a film about torture and, more broadly, about the incomprehension between the colonized and the colonizers. It is based on a novel by the Angolan writer Luandino Vieira, then imprisoned by the Portuguese colonial power.

Welcome to My Life is a glimpse into a day in the life of Douglas, aka T-Kesh, a Monster-American teenager. He’s doing his best to fit in, and make it through high school. On the inside he’s just like other humans, but there’s no hiding when you are literally a monster on the outside. In this mockumentary short, we see how even day-to-day life can be hard when you’re so very much not like the others.

Braise

A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

A short film about the aftermath of a spontaneous human combustion. Based on the short story 'Blowing Up On The Spot' by Kevin Wilson.

In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."

The ceremony performed every morning. The breakfast which never ends.

Short animated film by Eri Eri Kinoshita.

Two lonely people at opposite chapters of life accidentally meet on a busy summer day in a Cairo taxi. Frail old Shawky and bubbly young Doaa are both caught up in their busy routines as their race through the city evolves into a journey of self-discovery that reconnects them to life.