Rocío

The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

AMERICAN JESUS is an exploration of Christianity in every faction of American Life, from the breadline to the yoga studio, from the humble churches of snake handlers to the mega churches in the ex-urbs. Christian cowboys, bikers and musicians, comedians, surfers and cage-fighters, they are all doing it for Christ. Aram Garriga travels from his native Barcelona to the politically divided United States to chronicle the sometimes bizarre relationship between faith, materialism, politics and personal passions in this uniquely American tableaux. Populated by an array of religious and secular characters offering candid, often illuminating testimonials, AMERICAN JESUS is a vivid mosaic of personalities and conflicting points of view that emerges as a portrait of an America yearning for solace and meaning in the modern world.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

An intimate portrait of a family coming to terms with decades of institutional abuse and the impact it has had and is still having on their lives.

When a feature film is made about them seven years after their break-up, Benjie Nycum visits his ex-boyfriend Michael Glatze and finally tries to get answers about his bewildering shift from gay activist to ex-gay evangelical.

2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.

In this two-part Channel 4 series, Professor Richard Dawkins challenges what he describes as 'a process of non-thinking called faith'. He describes his astonishment that, at the start of the 21st century, religious faith is gaining ground in the face of rational, scientific truth. Science, based on scepticism, investigation and evidence, must continuously test its own concepts and claims. Faith, by definition, defies evidence: it is untested and unshakeable, and is therefore in direct contradiction with science. In addition, though religions preach morality, peace and hope, in fact, says Dawkins, they bring intolerance, violence and destruction. The growth of extreme fundamentalism in so many religions across the world not only endangers humanity but, he argues, is in conflict with the trend over thousands of years of history for humanity to progress to become more enlightened and more tolerant.

In this fascinating sequel to "Is Genesis History?", watch a team of scientists discover new evidence for the global Flood. By the time the journey is over, you'll understand exactly how modern science connects to the book of Genesis.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of ​​olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.

An exploration of the intersection between religion and homosexuality in the U.S. and how the religious right has used its interpretation of the Bible to stigmatize the gay community.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club: Claude Jade

In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.