Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.
An RTÉ documentary on Irish involvement in the Spanish Civil War, 1936-1939.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
Documentary film about Catholic Church teachings about homosexuality. Describes the "third way", the lifestyle lead by orthodox gay Catholics practicing celibacy out of personal choice, an often overlooked demographic in the debates about homosexuality in the Church.
Bill Nye and Ken Ham debate whether creation is a viable model of origins in today's modern scientific era.
Jésus a-t-il vraiment existé ?
In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
Sacred explores cultural and religious ritual as it relates to life’s cycles: birth, adolescence, marriage, aging and other key passages of life.
Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.
The Athos peninsula in Greece is one of Europe's last secrets. Over 2000 monks live on Athos - cut off from the outside world. Access is denied to women, tourists are not welcome. Only workers and pilgrims can obtain a visa. The "Autonomous Monastic State of the Holy Mountain" attracts people who feel like they are missing something from their modern lives. With the help of three Athos monks, "Athos - A Taste of Heaven" tells the story of the island and its inhabitants in a unique filmed diary style. The film's guiding theme is the path we as people have to find and follow - each and everyone for themselves. "First we must heal our own souls, only then we can help others", is one of Father Galaktions core messages. He lives as a hermit on the holy mountain. Not all monks, however, live as secluded and demure as Father Galaktion. The film team is also received by Father Epiphanios - a gifted and poetic cook who certainly does not disdain the pleasures of life.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Le Club: Claude Jade