No Cameras Allowed

The music festival "Midnight Light Festival" employ 7 girls to chauffeur the festival's artists in their "epa-tractors". During two summernights we get a insight into the 7 young girls' lives, thoughts, culture and dreams in the Northern Swedish inlands. Youth, dreams and engines in Vilhelmina municipality.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

A documentary by Giulia Vallicelli about the lady fest that took place in Rome in 2009. This documentary showcases the reality of queer and intersectional feminism in Italy through punk and feminist music.

In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".

He promised supermodels and yachts, but delivered tents and cheese sandwiches. How one man engineered a music festival disaster.

Documentary following the planning and execution of Sweden's biggest music festival. Interviews with festival staff are followed by interviews and performances by the bands. This year the festival had chartered their own plane from London to bring the coolest bands in Britain to Sweden, which prompted television personality Henrik Schyffert to quip "If this plane crashes the hottest band in England will be Marillion"

An exclusive documentary on the GlamCocks camp at Burning Man Festival.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

A true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

An acid-soaked journey to the edge of madness with the wise and wild Wooks of America’s hippie underbelly.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

This was the band's second performance at the music festival and their first since the success of 'Nevermind' had elevated them to the position of what magazines called the "biggest" rock band in the world. It was also sadly their final concert in the United Kingdom.

Country