Seems Like Only Yesterday

A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.

Documentary on the history of Ryhmäteatteri theatre company.

In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.

An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.

“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

A first-of-its-kind speed dating event for 70- to 90-year-olds sets up this comic and poignant look at the search for love among the booming senior set. Over one summer, we intimately follow as ten speed daters – fearlessly candid about their lives and desires – prepare for the big day, endure a rush of encounters, and anxiously receive their results. Then, as they head out on first dates, we discover how worries over physical appearance, intimacy and rejection, loss and new beginnings change – or don't change – from first love to the far reaches of life. Α funny and bittersweet story about the universality of love and desire, regardless of age.

This documentary offers a deep, candid, and historical look at the Christian experience of America's largest and best-known tribes: the Dakota and Lakota. Its exploration into Native American history also takes a hard and detailed look at President Ulysses S. Grant's Peace Policy of 1873, which was, in effect, a "convert to Episcopalianism or starve" edict put forth by the American government in direct violation of its Constitution. The devastation it had on the values of the people affected were dramatic and extremely long-lasting. Grant's policy was finally ended over 100 years later by the Freedom of American Indian Religions Act in 1978. Interlaced with extraordinarily candid interviews, this documentary presents an insider's perspective of how the Dakota and Lakota were estranged from their religious beliefs and their long-standing traditions.

Les D'Arcy is a living legend. At 89 years old, he's obviously not received the memo about slowing down, and is going for gold, literally. He's headed to China to compete in the over 80s Table Tennis Championships in Inner Mongolia. A seven time world champion, he still lifts weights to train - something he's been doing for decades, after surviving a sickly childhood. Of course compared to some, Les is a spring chicken. Australian legend Dorothy deLow is 100, and finds herself a mega celebrity in this rarefied world. She'd better watch out though- Texan Lisa Modlich is fifteen years her junior and is determined to do what it takes to win her first gold. Director Hugh Hartford follows eight players from five countries, as they prepare to compete in this extraordinary sporting event that is as much about the tenacity of the human spirit as it is about taking home the title.

Several elderly homosexual men and women speak frankly about their pioneering lives, their fearless decision to live openly in France at a time when society rejected them.

This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

Comme un rayon de soleil sur la peau

Hidden away at the end of Mulholland Drive, just north of Los Angeles, lies the Motion Picture & Television Fund. Its residents were once the backbone of American showbiz. The Fund gives them a home and new meaning in their old age. Still going strong in their own studio, they produce short films and pursue other creative projects. This documentary follows one such project from the first brainstorming session all the way to the premiere, revealing enduring dreams and hopes beyond the limelight — and lessons in life and love.

What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”

A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.

When old age imposes physical and sometimes mental decay, is there a way to maintain a hopeful attitude towards life and its mysteries? This is the question that the documentary 'Le vieil âge et l'espérance' project aims to confront not only specialists such as geriatricians, gerontologists, psychologists and philosophers, but first and foremost the lived experience of the elderly.

In order to meet future care demands for elderly who are lonely and suffering from dementia, carebot Alice has been developed. Can a robot build a human relationship with someone and thus replace a person of flesh and blood? The three women, all getting on in years, who are visited by her in Alice Cares actually become pretty fond of the robot girl. Carebot Alice leaves the laboratory to visit Mrs. Remkes, Mrs. Schellekens-Blanke and Mrs. van Wittmarschen, each in their own house. The three women are getting on in age and are therefore exceptionally suited for the services of Alice, who has been developed by SELEMCA. This is a research group which tries to discover, with the help of community nurses and family, how 'sociobot' Alice should talk and react to stem the effects of loneliness on older women. The outcome of the experiment is surprising for all involved.