Why Horror?

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

An internet challenge is trending - who can hold onto a box for the longest? Follow five influencers as they attempt to complete the challenge but instead unwittingly face their darkest fears.

Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.

Misa Kuroi is an adorable high-school girl who arrives at her new school when it is falling under an evil supernatural force. Trying to figure out who's behind the supernatural attack, Misa also has to deal with assumptions by her fellow classmates that believe she is the one behind it all. Misa and twelve other students are kept late after school hours one day to retake an exam. Then, after sunset, the entire school is deserted, and the students find themselves trapped inside and their teacher no where to be found. One by one, the thirteen students are picked up and disposed of in horrific and graphic fashion. It is up to Misa to try and gain the trust of her fellow students so that she can protect them and stop the evil before it's too late.

In Meiji-era Japan, a village of witches and wizards is slaughtered. Years later, an archaeologist discovers a mummy from the village, which reanimates, murders, then possesses his assistant. This evil spirit is now searching for Misa, who is protected by a survivor of the original massacre, known only as Saiga.

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.

An intimate portrait of three young afghan women accused of committing "moral crimes."

Star actor/comedian D.L. Hughley appears in his first solo HBO special, a no-holds-barred 60-minute routine performed in front of a live audience at The Lincoln Theater, the venerable Washington DC venue. Hughley, seen previously in Russell Simmons' Def Comedy Jam, keeps the crowd roaring with his hilarious take on politics, childhood, challenging your father to a fight, gluttony, impotence drugs, parenthood and more.

Concorde was the epitome of elegance, speed and glamour, linking London and New York in little over three hours. But on the 25th of July 2000 tragedy struck which meant the end of supersonic flight.

On Halloween day, the Sun gives a scarecrow girl one night freedom until Sunrise. Transforming herself into human being, she gets mixed up with crowds of a Halloween matchmaking party in the big city, Tokyo. Coming from rice paddies and feeling isolated from the real human beings, the scarecrow falls in love with a real zombie. They are only real monsters among all, so the scarecrow thinks he is 'different' from others. The zombie has strong sense of justice, and he only eats bad people's bad brains for the world peace. The scarecrow starts to follow the zombie's bad brain hunting. Even though the outsiders nurture love, the time limit approaches to end their happy journey.

A lonely janitor most make a choice when a vampire attack leaves him the sole caretaker of an orphaned, and possibly monstrous, infant.

A documentary on Venezuelan filmmaker Margot Benacerraf, who won the Cannes International Critics Prize with her movie Araya in 1959.

The compelling stories of four young people as they struggle to survive a war that ended nearly 20 years ago. The physical conflict is over - but its psychological impact continues. Can they break the cycle of violence?

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.

A convicted felon builds a feminist movement from behind bars at an all-male prison in Soledad, California.

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.

In French Polynesia, there is a place where every year, thousands of groupers gather in secret followed by hundreds of sharks… The photographer, diver and biologist Laurent Ballesta, with his team, wanted to better understand what motivates these fish to wait until the exact day of the full moon to spawn all at once! With the help of researchers from the CNRS of Moorea, they dived and conducted numerous experiments to study and witness this unique phenomenon. Taking advantage of this period of incredible richness, Laurent Ballesta did a record dive of 24 hours at over 20 meters.

This documentary from Min Sook Lee follows a poverty-stricken father from Central Mexico, along with several of his countrymen, as they make their annual migration to southern Ontario to pick tomatoes. For 8 months a year, the town's population absorbs 4,000 migrant workers who toil under conditions, and for wages, that no local would accept. Yet despite a fear of repercussions, the workers voice their desire for dignity and respect.