Cinéma Vérité: Defining the Moment

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

A day in the life of a train station.

Tibetan Buddhist search for the meaning of death in an unforgiving Himalayan landscape and stir compassion by uncovering human truths

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.

A ten-year update on the Loud family and their reflections on becoming the first reality TV stars. Their experience of becoming media celebrities and the parents' subsequent divorce changed them in many ways. Each family member explains how they were affected by these dramatic life events.

A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A bipartisan group of U.S. defense, intelligence, and elected policymakers spanning five presidential administrations participate in an unscripted role-play exercise in which they confront a political coup backed by rogue members of the U.S. military, in the wake of a contested presidential election.

Eldest son Lance, of the Loud family profiled on PBS in 1973, became the first openly gay man on television and a gay icon for his generation. When Lance entered hospice in 2001 with a terminal HIV and hepatitis C co-infection, he asked original filmmakers Susan and Alan Raymond to film a final episode of the series. Lance reflects upon his days with Andy Warhol, his band The Mumps, a career as a writer and the experience of being the first reality TV star. It is a celebration of life and a cautionary tale.

A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

A working class family leaves St-Henri quarter in Montréal to build a new home in the countryside.

A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.