Partners of the Night

In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.

The Drakenhjelm family has lived in the Rautakylä manor for over 150 years. The current master of the house, elderly baron Magnus, has been living for a long time in an unregistered relationship with his housekeeper Lisette, with whom he also has a son, Sebastian. After the baron falls gravely ill Lisette starts getting worried about losing everything, so with Sebastian on her side she demands the baron to write a letter to the pastor and ask him to come over to perform a wedding ceremony. Right after Sebastian has left to fetch the pastor, a threesome seeking shelter from the storm comes to the manor and wreaks havoc on the marriage plans.

Servant Eeva promises to marry her childhood friend, tailor Aapeli, via letter, but withdraws after meeting the man. Though mostly preserved, the film is partially lost.

Mina Rogers (Mary MacLaren) is unfairly cast out into the cruel, cruel world by her crotchety old uncle. She searches for a new home, resorting to deception so that she will be taken in. Along the way she meets a doctor, certain mysteries surrounding her are solved, and the doctor asks her to marry him.

Mildred Gower (Alma Rubens), in order to sane her extravagant mother, Mrs. Elton Gower (Eugenie Besserer), from bankruptcy, shame and scandal, the young society girl is forced to accept the proposal Lemuel Sidall (William Welsh), a wealthy man she loathes.

Rich, spoiled Marian pressures Eric to marry her. Her brother is in love with her friend Mamie, but a scheming ex-husband tries to blackmail her. Mamie is saved from suicide by Eric, who's in a compromising position when he brings her home.

Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

Black and white silent film starring The Clash.

In English known informally as "The Half of a Boy" and "Stepmother". Based on the novel by Kálmán Mikszáth. After his wife's death Gáthy Lörinc (in Serbian version: Mr. Wickfield) remarries and in secret he takes his son born from this second marriage to the same foster parents who take care his first son born from his first marriage and left without mother. Five years later, when both boys return home, his wife does not know which is her own child, and which is the child of the previous wife, so the husband's desire is fulfilled, his orphaned son doesn't have step-mother, because his wife loves both boys equally, as her sweet children.

A railroad worker accepts a colleague's offer to stay in his home, but when his friend is called out one night to stop a runaway train, he makes a play for the man's wife.

The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.

A gin bottle is personified with a spirit. As the gin bottle changes hands the spirit of the bottle tempts the various possessors to take a drink. A pro-prohibition movie, the story exemplifies the tragedies of drinking.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A young man fakes his identity to impress a girl.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

Trilby lounges on a table with her shoes off, smoking, laughing, enjoying a piece of cake, and kissing her friend in a scene from the popular eponymous novel and stage play. Now lost, it is considered the first book-to-film adaptation.

Like a ticking time-bomb, Ronnie tries to hold his personal relationships and artistic career together while struggling with a debilitating writers block. "A Beautiful Rush" is a silent film that explores what it means to be selfish and lose sight of the blessings life has graced us with.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

As a reporter, Dick Farrington is sent to cover an assignment that promises a big story. A lawyer has advertised for an ex-Marine who is a boxer. He makes good beating up a gang of roughnecks picked for the purpose, and secures the mysterious job that is filled with danger. It is to guard the heiress Lady Chatfield, but the hero is told nothing as to the secret in back of it all. Dick poses as Lord Grantmore, wears a monocle, and otherwise acts like a titled Englishman. They proceed to the mining town of Goldbrook, where the heiress is to occupy a mysterious mansion on the occupancy of which hinges a great fortune. The engineer of the mines is deeply interested in thwarting the plans of Lady Chatfield, and with his gang of roughneck miners makes things lively for the pugilist star in a series of fights that are hair raisers.