Citizenfour

“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others. Throughout, Benning uses small toys as props and examples—handling and controlling them the way we are, in turn, controlled by larger violent forces.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart.

The minutiae of daily life on Edinburgh's Rose Street in the fifties is presented in this impressionistic documentary piece.

The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.

Deep in the forest of Overland Park, Kansas little gnomes made a home. But how did they get there? Experience the feel-good story of paying it forward, one tiny magical house at a time.

Documentary about the German painter Oda Jaune.

Last Harvest follows the journey of an elderly Chinese farming couple as they are being relocated by the government's mammoth and controversial South-to-North Water Diversion Project.

15 years after our award-winning documentary WARRIOR OF LIGHT, the portrait of internationally acclaimed human rights activist Yvonne Bezerra de Mello and her work with street kids in Rio, ZONA NORTE is investigating the development and sustainability of the project. Over the years Yvonne has developed a new pedagogy that helps children who are traumatized by violence to overcome their experiences and the resulting learning problems. The children we portrayed 15 years ago are now young adults. They report from their lives in the most dangerous favela in the north of the city. They are the living proof that an alternative pedagogy is capable to break the vicious circle of poverty and violence.

A documentary by Jackie Raynal about the artistic movement Zanzibar.

The Truth Be Told is an epic-scale documentary that follows three and half years in the life of Supinya, a media activist who was sued by the Shin Corporation for stating that the company had benefited from the policies of the administration of Thaksin Shinawatra, whose family owned the company. The documentary is snapshot of a turbulent period in Thai politics, from the Thaksin years, the anti-Thaksin backlash that arose after Thaksin sold his share in Shin to Singapore's Temasek Holdings, and the military coup that ousted Thaksin.

50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.

Stories behind the conceptual photography project HOU8E (2014-2017) by the independent portuguese photographer Margarida Rodrigues (MAR).

My Louisiana Love follows a young Native American woman, Monique Verdin, as she returns to Southeast Louisiana to reunite with her Houma Indian family. But soon she sees that her people’s traditional way of life- fishing, trapping, and hunting these fragile wetlands– is threatened by a cycle of man-made environmental crises. As Louisiana is devastated by Hurricane Katrina and Rita and then the BP oil leak, Monique finds herself turning to environmental activism. She documents her family’s struggle to stay close to the land despite the cycle of disasters and the rapidly disappearing coastline. The film looks at the complex and uneven relationship between the oil industry and the indigenous community of the Mississippi Delta. In this intimate documentary portrait, Monique must overcome the loss of her house, her father, and her partner – and redefine the meaning of home. Her story is both unique and frighteningly familiar.

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.