Afterlife

Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

Ana is about to start her trip to another country, leaving V{ictor. She comes back to Chile to re-encounter with Andrés. Brief instances of her life seem to melt like in a mirror.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

From the director who gave us Tanging Yaman, Laurice Guillen, is back with another heart-warming family drama which teaches us about love, faith and life. Sa ‘Yo Lamang stars Lorna Tolentino, Bea Alonzo, Coco Martin, Enchong Dee and Miles Ocampo. Dianne Alvaro (Bea Alonzo) seems to have a happy family. She and her mom (Lorna Tolentino) just bought a house for them, her younger siblings are doing great at school, and her boyfriend of two years is already preparing for their future together. But everything in her life shatters when her dad, Franco (played by Christopher De Leon), returns after ten years of being with his mistress.

During Stalin's reign of terror, Evgenia Ginzburg, a literature professor, was sent to 10 years hard labor in a gulag in Siberia. Having lost everything, and no longer wishing to live, she meets the camp doctor and begins to come back to life.

Joy is an emotionally damaged young woman of eighteen, who was given up at birth, to grow up in homes and with foster families. She lives on the fringes of society, getting by on benefits and earning a little extra by playing the accordion in the subway. In addition, she is a skilled shoplifter and has never been caught.

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

Outsider and new kid Matthew desperately wants to join his high school's boxing team, but resident bully and boxing champion Hector stands in his way. Facing constant torment, Matthew finds an unlikely ally in Dan, the school's janitor and one-time amateur boxer. Together, they train for the biggest boxing match of Matthew's life and discover what it truly means to be a winner.

Against the backdrop of the space race between the Soviets and the US, a 15-year-old girl struggles to affirm her political and gender identity in 1960s Italy.

Ditte owns a gallery, has a loving boyfriend and her dream job in New York is within reach. But Ditte is also the youngest generation of the famous bakery dynasty, Rheinwald, and when her beloved, but dominating father comes down with a serious illness, Ditte is faced with the grueling decision: To pursue her own dreams, or to continue the legacy of her family.

Daniel Tosh performs in front of a live San Francisco audience in this stand-up special for Comedy Central, and touches on topics ranging from sports and pop culture, to religion and politics.

Valentine and Alex are married, both lawyers, specializing in family matters. In the exercise of their profession, they defend the divorce of the XXIst century: amicable, in the serenity and the respect of the other, preferably in alternating custody and in the blended family, far from the cased vases and the atrocious scenes of household of the previous generation. Until the day when, because of a banal adultery, their couple shatters. And the reality of the divorce catches up with them: no more fine words, just war.

Meet Richard Jackson - a man fed up with the insanity of "plastic" suburban living. Rallying his befuddled family around him, Richard mounts an outrageously comic assault on credit card craziness, "Yuppie" status symbols and "the system" in general!

Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.

Cosmetics saleswoman Kirsi Viilonen dreams of a career as a star artist. When Kirsi meets DJ and radio journalist Paula, she decides to give in completely to her dream of becoming a singer. Despite the scorn of the male-dominated music world, Paula recognizes the star in Kirsi and together they get her a recording contract. Kikka's career takes off when her nipple is accidentally flashed on a TV show. Kikka immediately becomes a national celebrity and one of Finland's best-selling female artists.

Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.

During the Blitz of World War II, a female screenwriter works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.

Plain Jane Hartman hates her life. She's goofy, boring and only has sex if she reads Iris Murdoch novels out loud to her loopy boyfriend. Her oldest friend Antonia McGill knows about everything. She orders the right food; she can complain and get results. She's beautiful and has a brilliant career. Is it any wonder that they hate each other's guts?

Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart’s 'Requiem' at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves to be a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.