King Rat

In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.

Wartime, 1942. Singapore. An Australian fighter pilot shot down in combat awakens suspended in the treetops. As night devours day, he must navigate through dangerous jungle in search of sanctuary.

Everything seemed well for the much-respected officer who was getting married and was just promoted to the rank of lieutenant, before an accident at the training ground cost his life.

The story spans from 1965 to the early 1970s. Heavily pregnant Zhao Di, the unwanted second wife of an older man, was chased out by her husband's family and forced to return to her own family. She gave birth to a pair of twins, Shun Fatt and Su-mei. As Su-mei had two moles on her face, which was said to be bad luck, she decided to give her up due to the pressure of wanting to build a better life for the rest of her family.

A cop in Singapore investigates the disappearance of a Chinese migrant construction worker who spent sleepless nights playing a mysterious video game.

In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.

A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.

After a woman shoots a man to death, a damning letter she wrote raises suspicions.

An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.

Zhao Di takes over her family farm with the help of Ah Long after the 1969 floods. After the government started reclaiming land for development in 1977, licensed owners like Zhao Di are compensated but her brother accuses her of having an affair with Ah Long to get the money for himself. Meanwhile, Osman does not approve of his son playing in a rock band as he fears the negative influence, causing his son to run away from home. As for Ah Hee and Rani, they decide to get married but their traditional parents are against it.

Ah-gau (Keung Chung-ping) leaves his wife Sou Jing, and son in Macau for Nanyang to join his cousin (Patrick Tse Yin) in search of employment. A series of events propel Ah-gau into high society and he falls in love with a tycoon’s daughter, Ming-zyu, (Patsy Kar Ling). Abandoned by Ah-gau, Sou Jing suffers in utter poverty and journeys to Singapore in search of her husband.

5 years old Yang spends an afternoon with his mother on a shopping trip. When he throws a tantrum after feeling neglected, she decides to punish him by walking away. A seemingly harmless punishment eventually becomes a pivotal childhood experience for Yang that will forever change him.

A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.

Wet Season revolves around the life of Ling, a schoolteacher who deals with infertility while having to take care of her infirm father-in-law at home. One of Ling's students, Kok Wei Lun, develops a crush on her during remedial Chinese classes. The two become closer as Wei Lun embraces Ling's extra tutoring.

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.

Fatima lives with her mother, working with her as a seamstress. Disappointed by her mother’s gambling addiction, she decides to work as a singer at a nightclub. There, Fatima meets Abdullah, a businessman whose wife, Endon, constantly mocks and humiliates him. Abdullah soon falls in love with Fatima and they begin an affair. However, Abdullah’s colleague is also smitten with her, and when Endon finds out about her husband’s relationship, she plots with his colleague to expose the affair. It is the first Malay film helmed by a Singaporean Malay under the Malay Film Productions, Shaw Brothers. Made in 1952, the musical drama witnesses an abusive relationship that results in an extra marital affair.

Three tales of love wrap around the true story of a blind and deaf woman named Theresa Chan. In the first an elderly shopkeeper is devoted to his sick wife. In the second, two teenage girls become soul mates and lovers. In the third a chubby security guard tries to find the courage to woo a beautiful woman who works in his building.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery: