Why They Love Cavemen

A runaway train speeds down the track.

In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.

A comedy about a group of school girls who bring a street musician to school with them.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Big Bad Wolf and his nephew create a club for rabbits, Club del Conejo, to try to catch Bugs Bunny.

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

A neighborhood bully convinces Porky to take a puff from his cigar, causing Porky to hallucinate a smoke-man named Nick O. Teen, along with a musical number done by cigars, cigarettes and pipes in the likeness of the 3 Stooges, etc.

A live action black-and-white prolog tells the story of how Walt Disney came to Hollywood with $300, was rejected by all the major studios, but went on to tremendous success, many awards, and a thriving studio. Titles then ask what this means to the Standard Oil Salesman, and a parade of Disney characters gives us the answer, featuring Mickey as drum major, Minnie carrying a banner, and the 7 Dwarfs carrying the letters "STANDARD" (Dopey gets stuck with the last two): Apparently the various ads for Standard will be featuring Disney characters in the coming year.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

Alfalfa and the gang build their own "speedboat" powered by ducks, and challenge Waldo to a race for the hand of Darla.

Harry Beaumont and Bessie Learn are in love, but their respective uncle and aunt, back fence neighbors, feud bitterly with each other and insist the youngsters have nothing to do with each other. The young leads come up with a plan in this pleasant Edison comedy.

A 1919 Comedy short.

The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.

Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.

Boy trying to impress girl, gets chased by her father and the police right into an ongoing marathon.

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