Reckless Youth

Simon Haldane works in the office of the Faulkner Iron Works, but he has been raised by his two maiden aunts in an extremely sheltered manner and is basically afraid of everyone and everything. One morning he finds a strange girl shivering in his bedroom, and although he's terrified of her, he manages to call a doctor for her. This starts a rumor that Simon is married. Complications ensue.

A bored society girl cuts a hundred dollar bill in half, writes a message on one half for whoever finds it and throws it out the window of her apartment. The person who finds it turns out to be the driver of a coal truck. So she decides to give him a complete makeover in order to make him presentable to her society friends.

May Banks (May McAvoy) is a working-class girl who gets ideas above her station in life when her father, Colonel Banks (Aleck B. Francis), a Coney Island employee, save enough money to send her to an expensive, snobby all-girl finishing school.

A rancher begrudgingly goes east in order the fulfill the requirements of his uncle's will and receive his inheritance.

A woman has second thoughts about her socialite fiancé when she finds a grey veil in his overcoat. When she discovers that the veil belongs to the owner of a beauty shop, she begins to investigate.

In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.

Jack Calvert bets four friends that he can travel from New York to Constantinople without a cent.

After his defeat at the hands of "Spider" Flynn, the welterweight champion of Europe, boxer Jimmie Dolan and his trainer, Thomas Jefferson Jones, leave for a principality near Paris. Having lost all their money on the fight, Jimmie accepts Count Conrad's offer to impersonate Prince Frederick in return for a large sum of money.

Drama in the Futurists' Cabaret No. 13

The Little Napoleon

A 1924 film directed by John Francis Dillon.

Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?

A prince makes a socialite think she spent the night in his room.

The international criminal Helene Voigt, who calls herself Countess Montigno, is on the run from the law.

In order to land an important client, Morgan is obliged to escort a beautiful redhead to a costume ball. Finding out about this, and suspecting that some hanky-panky is involved, Morgan's wife Angela dons a mask and a red wig and offers herself as the companion of her unwitting hubby. Angela's jealousy-motivated subterfuge works to everyone's advantage when she manages to cinch the deal for Morgan.

Based on Gustav Kadelburg's farce The Road to Hell.

Lina under Examination, or the Turbulent Corpse

Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.

A 1925 film directed by Sidney Franklin.