To Mary - with Love

A young couple are expecting a new born but one of them has an unexpected turn in life

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

Maggie's plan to have a baby on her own with a sperm donor is derailed when she falls in love with John, an older married professor, destroying his volatile marriage to the brilliant and impossible Georgette. But three years later, married to John with one daughter, Maggie is out of love and in a quandary: what do you do when you suspect your man and his ex-wife are actually perfect for each other?

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

This is a movie about a married man who falls in love with another woman. How his wife is able to get him back and how he realises his mistake is the plot.

Complications in a dressmaking firm when a model has to hide her marriage.

A year prior to the first scene, Stan married Ollie's sister, and Ollie married Stan's sister in a double wedding. They all live together and Stan and Ollie work in the same office.

With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox. Again, it’s Bob rather than Terry who is visibly distressed by this. Upset and much the worse for free alcohol, Bob then storms into the library to seek sympathy from Thelma - who is, predictably, unimpressed. So when Thelma finds out that Terry has been getting semi-serious with glamorous Finnish shop assistant Chris, she takes it upon herself to try and pair them off for good via planning first a dinner party and then that mainstay of 70s comedy, a camping expedition. Of course, things don’t go quite according to plan and before you can say ‘I can see the way this is going’ we are set up for japes, larks and embarrassing incidents aplenty, which culminate in the lads getting rather fed up with their partners’ attempts to inflict the rugged outdoor lifestyle upon them and trying to hitch up and drive off with the girls still asleep in the caravan.

As an employee at a Boston-based financial firm, Kate Reddy struggles daily to balance the demands of her high-powered career with the needs of her husband, Richard, and their two children. When she gets an account that requires frequent trips to New York and her husband gets a new job, Kate finds herself spread even thinner. Complicating Kate's life even more is her new business associate Jack Abelhammer, who throws temptation into the mix.

When a wristwatch intended for a office contest winner gets mixed up and confused with the one Joe McDoakes purchased for his wife, Joe once again finds himself on the short end.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

29-year-old Satonaka Takashi (Kudo Kankuro) is a freelancer. He falls in love at first sight with Satoru Nobunaga (Shiho Takano), who was a nurse at his previous hospitalization. He half stalks her and ends up working at the "Time Machine" restaurant in Tokyo Patio, an apartment complex for the elderly in Asakusa. On his first day of work, Takashi is approached at the entrance by a strange old man (Kunie Tanaka). However, he is told that the old man, Fujiwara Fujiro, is already dead. Fujiro, unable to give up his feelings for Chidori Kanzaki (Yoko Tsukasa), whom he loved before her death, possesses Takashi and uses his body to fulfill his feelings for her. Possessed by Fujirou, Takashi tries somehow to get rid of the spirit, but without success. However, when Fujirou discovers his feelings for Saiya, Takashi is helped by Fujirou, who has a wealth of knowledge and experience due to his age, and finally decides to allow Saiya to live with him in his body...

18-year-old Yeong-seon lives in a residential facility for teenagers. She tries to leave the place and stands on her own two feet, although a social worker advises her to stay a little longer. On her birthdays, Yeong-seon meets with her mother. On one of these occasions, her mother delivers the unexpected news of her pregnancy.

Adaptation of the 1925 novel by F. Scott Fitzgerald for "Playhouse 90." A Midwesterner becomes fascinated with his wealthy neighbor, who obsesses over his lost love.

Sevim is living with the much older businessman Irfan. When Irfan's wife return home he abandon the young woman. But Sevim has been spoiled by wealthy men and can't change her life, till she meet Kemal.

Apart from showing the situation in Serbia at that time, the parallel course of the story follows the release of the young writer Nusic from prison and his arrival at the villa of King Milan, where he begs for pardon for the satirical song “Two Slaves” whose publication provoked the king’s anger.

Based on personal experiences of the writer, it takes place in 1917 in the Serbian military hospital on the Thessaloniki front, where wounded and sick soldiers and officers open up many crucial discussions, while impatiently waiting for a general order to all allied forces for a joint breakthrough.

The backbone of the story is the beating of the main heroine, an old and lonely woman, who is trying to draw the attention of her daughter and her family.

One regular Sunday meeting of a boy and his father who live separately.