This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
Documentary about an emblematic institution of the Spanish Arts, Madrid's Teatro Real, or Royal Theatre, released to celebrate it's 2nd centenary anniversary.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
A documentary that explores the challenges that a life in music can bring.
John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.
A documentary by Tony Palmer on English composer Sir William Walton (1902–1983), made shortly before his death. The film includes the only full-length interview ever recorded with Walton. Filmed at his home on Ischia and in Oxford, London & Oldham, it includes contributions from Laurence Olivier, Sacheverell Sitwell and Lady Susana Walton. Specially performed extracts of his music are conducted by Simon Rattle in his first substantial contribution to television when he was in his early 20s, with Simon Preston, Julian Bream, Yvonne Kenny, Yehudi Menuhin, Iona Brown, John Shirley-Quirk, Elgar Howarth & Ralph Kirshbaum, the Philharmonia Orchestra, the Grimethorpe Colliery Band, Christ Church Cathedral Choir, Oxford & Los Paraguayos.
This is a full-length documentary honoring the life and work of American composer and artist John Cage. Cage is considered one of the most influential composers of the 20th century. This documentary features interviews with various personalities from different fields as they introduce us to the life and work of this great American artist.
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
The 9th Symphony of Ludwig van Beethoven is one of the most popular pieces of classical music in the world. Even those who are not passionate about the classical music recognize the famous Ode to Joy. Despite the grim context in which it was created, the 9th Symphony leaves us fascinated, moved and uplifted by its creativity, its power and its culmination in the Ode to Joy. More than 160 years after it was written, Beethoven’s hymn to brotherhood was adopted by the European Union as its official anthem. But Beethoven’s Ninth is also met with enthusiasm far beyond the borders of Europe. What’s the explanation for its never ending success? What is it about this work of art that fascinates people all over the world?
Ludwig van Beethoven: Symphonie Nr. 9 - Leipzig, Paris, Mailand, Wien
In four corners of the globe, in each of the four seasons, four outstanding violinists guide us on an extraordinary journey through their four distinct homelands. From the springtime blossoms of Japan, into the blistering heat and thunderstorms of an Australian summer; from a joyful autumn in New York, to the unforgiving cold and human warmth of a Finnish winter. The resonant and much-loved music of Antonio Vivaldi's The Four Seasons and the timeless stories they tell, form the backbone to this bold and engaging celebration of friendship, homeland and the cycles of life.
Sheku Kanneh-Mason made history in 2016 when he became the first black winner of the BBC Young Musician competition. Sheku has six musically gifted siblings and this film explores their extraordinary talents and issues of diversity in classical music. We follow Sheku and his brothers and sisters and examine the sacrifices that parents Stuart and Kadie make in order to support their children in pursuing their musical dreams. Told through the prism of family life we get an understanding of what it is that drives this family to be the best musicians they can be. At the heart of the story is 17-year-old Sheku, and we see him coming to terms with his Young Musician win and the pressures and opportunities it brings. His life is changing dramatically as he now has to learn to deal with the challenges of becoming a world-renowned cellist.
April 5th, 2000... On the heels of their unanimously acclaimed albums "Appalachia Waltz" and "Appalachian Journey", "Appalachian Journey Live In Concert" captures three of the world's most extraordinary musicians live in concert, along with very special guests James Taylor and Alison Krauss, from their sold-out performance at New York City's Avery Fischer Hall.
Ecce Homo Bedřich Smetana
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.