Satan's Dolls

Jungle

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

Im nächsten Leben

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.

A collaboration between Man Ray and Henri Chomette,, half-brother of the filmmaker René Clair.

An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.

A 13-minute documentary film depicting life in Prague.

The story of a Soviet military serviceman and a male Georgian dancer. An anti-violence film about the awakening of human instinct in an invader

In this animated short, a terrible curse deprives Balthasar's kingdom of its stories. Taking the unicorn's horn back into The Belly of the Earth is the solution. Poppety will lead an expedition, by chance uncovering a hitherto closely guarded family secret.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

Peixe-de-Espada (literally, sword-fish), a retired Army colonel, his wife and nubile daughter are spending their holidays at the Palace Hotel, in the company of a lady doctor, Doctor Pilulas (literally, pills). He tells tall-tales of his African adventures, and she finds ways to promote the excellency of the pills of her own fabrication. To spend some time with Gabriela, his girlfriend, Rito appears disguised as a woman, pretending to be the new post-office operator. Desguises will come and go, and all ends well after a turmoil of twisted plots.

Sleepwalking and supernatural adventures, inspired by American farces.

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

A homeless bum, bored of eating the same food every night, promises his girlfriend a special dinner. He plans to take her out with money robbed from a passing stranger. But the bum’s in for a surprise when the man he targets for his mugging turns out to have special – and hilarious – powers.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Gula

A young woman contends with the sudden arrival of “Death” at her father’s bedside, forcing her to reflect on grief and inheritance of memory.