160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.
A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.
Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
Musical short.
Dorotys dream was to dance and be recognized as the woman she was, but death came first. Her best friend Misael, a sixty-year-old gay man, will make it happen. Misael creates the first diverse folk dance group, questioning traditions that are defended by cultural values in order to erase their queerness.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
13-year-old Nate Foster has big Broadway dreams but there’s only one problem — he can’t even land a part in the school play. When his parents leave town, Nate and his best friend Libby sneak off to the Big Apple for a once-in-a-lifetime opportunity to prove everyone wrong. A chance encounter with Nate’s long-lost Aunt Heidi turns his journey upside-down, and together they must learn that life’s greatest adventures are only as big as your dreams.
Transsexuals? Transvestites? Skinheads? Anarchy? Street life, hustling and drag are explored with sophistication, emotional resonance and that certain extra something that'll make you want to change the impossible to the incredible.
A student, initially serving as a director, filmed his LGBTQ+ teacher but eventually became personally involved in drag. What began as an observer's stance transformed into active participation in drag. Through self-engagement in drag, the director assumed the identity of Rachel and seized an opportunity for a dialogue with self-identity. This experience led to an awareness of the conflicting dialectics between societal frameworks and personal identity. The director embarked on multiple attempts to coexist with and showcase the multifaceted aspects of the transformed, drag persona.
Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.
The shocking story of Richard Leopold and Nathan Loeb, two wealthy college students who murdered a 14-year-old boy in 1924 to prove they were smart enough to get away with it.
The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.
Ballot Measure 9 was an anti-gay amendment proposed to Oregon voters in 1992 by the conservative group, Oregon Citizen's Alliance. This documentary goes behind the scenes of the fight to stop Measure 9. It contains portions of anti-gay videos produced by the Citizen's Alliance as well as news clips and interviews with the people who successfully fought passage of Measure 9.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.
A passionate group of Australian same-sex ballroom dancers battle homophobia, injury and personal drama as they pursue their dream of competing at the Gay Games in Germany.
Record-breaking gamer Narcissa Wright grapples with her toxic obsession for attention and her space in the streaming community after coming out as transgender, all while attempting to set a new world record for The Legend of Zelda: Breath of the Wild.