Remake.me

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

Four girls living in the lonely vastness of the USA share one passion: The wild world of rodeo. Although they move about in the powerful imagery of the American prairie and the myths of the Wild West, they give it new resonance and break free of it. In a world which used to belong to their fathers and brothers, they prove that "you ride like a girl" is not an insult but a compliment.

A brief look into Romany culture and Rom (Gypsies) from around the globe as five famous Romany groups tour the USA.

For this sixth film in the series Electric Fragments. Gianikian and Ricci Lucchi recover and rework images they shot in 1989, stolen from various Festa dell'Unità celebrations in Emilia and Romagna on the eve of the fall of the Berlin Wall.

A personal history of France, told through photos by French photographer Denise Bellon.

A documentary on the world's largest dam removal project and its effects on the river ecosystem and surrounding communities.

Conflict between man and machine has been a science fiction staple for over a century. From 2001: A Space Odyssey to The Terminator the perceived threat posed by super-intelligent robots has been exploited by Hollywood for decades. But do advances in Artificial Intelligence mean we are now facing a future in which that threat could become a reality?

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

An African narrator tells the story of earth history, the birth of the universe and evolution of life. Beautiful imagery makes this movie documentary complete.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

Celesta and Karen Davis grew up in a loving family. They shared many wonderful childhood moments and, at the time, thought it all was normal. But when Karen and Celesta were molested in 1978, little was being done about sexual abuse. Their parents' lack of action was neither questioned nor challenged, including years of continued social contact with the perpetrator, his wife and their two young children. Twenty-five years later, feeling unresolved, they begin their quest to find the man who took advantage of their innocence and to ask him something that has haunted them for almost their entire life: "Why?"

h)ac(k)tivist-noun: a person who uses technology to bring about social change. The Hacker Wars - a film about the targeting of (h)ac(k)tivists, activists and journalists by the US government. There is a war going on- the war for our minds. The Hacker Wars.

Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

A documentary exploring the importance of revival cinema and 35mm exhibition - seen through the lens of the patrons of the New Beverly Cinema - a unique and independent revival cinema in Los Angeles.

A documentary on the competition for student body president at New York's Stuyvesant High School. As the notoriously competitive school's election draws near, the campaign becomes a microcosm for the nation at large, with race, gender and appearance vying for attention with real issues.

Filmed live during Black Sabbath's 1999 "Reunion" tour, this historic concert features the original lineup of the legendary metal band.

Kicking It chronicles the lives of seven players taking a once in a lifetime opportunity to represent their country at the Cape Town 2006 Homeless World Cup. Najib from war torn Afghanistan; Alex from the slums of Kenya; Damien and Simon from the drug rehab clinics of Dublin, Ireland; Craig from the streets of Charlotte, North Carolina; Jesus from the overflowing public shelters of Madrid, Spain,