Amazonia: A Perilous Journey

Unfolding on three continents, this engaging documentary follows four groups of people whose lives are wrapped up in the complex world of chocolate.

An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony.

A story following the HEART of coffee and tea around the world as a universal means of connection. What started as a fascination with coffee, turned into a journey revealing the beautiful, harsh, and captivating intricacies of the human experience. A narrative that incorporates communities and individuals in 9 countries with interviews in 9 languages throughout; proving that we all speak the language of sharing a coffee or tea together. Journalist Brooke Bierhaus takes viewers on an intimate journey to better understand the human experience and cross-cultural unification by sharing a connected cup.

Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.

A graduate student and obsessive runner in New York is drawn into a mysterious plot involving his brother, a member of the secretive Division.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

A fine distinctness of manhood come from the aftermath of a rape victim's life.

For this anthology movie, producers Vestra Pictures assigned international directors with a phobia and set them to work making a horror short about it.

Johan Falk hasn't been working for over a year since he resigned from the police. Most of all he wants to move out to the countryside, but fate has a different thought.

Advent – a time of joyful anticipation. You will surely remember the feeling you had as a child, waking up on the first December morning. Rising early, ready to open a new door for 24 consecutive days.

When three generations of women return to post-Soviet Europe to care for an ailing patriarch, they face a corrupt healthcare system and discover a society and a past that both links them together and sets them apart.

When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.

This collection of experimental shorts includes the winner form SXSW film festival and celebrates the talents of Australian filmaker Julian Dahl (Camjackers). After traveling major film festivals world wide, the collection is made available to American audience for the first tiem in this unique release we are proud to present, experimental filmmaking rarely seen in release featuring, in the words of David Finkelstein; "Stark Photography That Resonates On a Poeti and Symbolic Level." Incluces; "Falling," "Puppy Love," "Stream," "Insect," "Alien Baby," "Go," "Camjackers Trailer," an interview with filmaker Julian Dahl and a bunch of extras

Kosmologisch - Die Entstehung Des Himmels

Kosmologisch - Vom Stein Zum Leben

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

In this charming documentary, director Gillian Leahy combines her two great passions: dogs and film. She openly reveals her life story through a canine prism – lovers may come and go, but there are always the dogs. Leahy also weaves in her filmmaking career, starting out at the Women's Film Workshop in 1970s Sydney and the newly formed AFTRS. Dogs have carried her through childhood illness and heartbreak; in return she lavishes care, and frets over their waywardness. Today, she shares her life with a big brown Labrador called Baxter. There are echoes of Leahy's award-winning My Life Without Steve, a study in love and loss, in this meditative and romantic film.

A mockumentary about Doctor Kurz, the inventor of the BioK-2: a rejuvenating drug extracted from ñandús (rheas).

The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil.

The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.