The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.
A high-speed drive through the streets of Paris.
An animated short about the 75 years of Superman.
Dr. Cockroach comes up with a brilliant plan to break themselves out of Area 52 – but to implement the plan, he has to trick B.O.B. into thinking it’s his birthday.
The hilarious story of a restless young farm-thumb, Loke Groundrunner, and his tasty companion, Princess Bunhead, who go on an quest to combat Black Helmet Man and the Evil Thumbpire. This is the first film of the hilarious 'Thumbs!' franchise.
Rami Haruvi, a daring Mossad Agent, is sent to rescue the abducted US ambassador held at the state of Sugyra. If Rami fails his mission, the annual mossad vacation at "Olga Resort" will be canceled. Due to the importance of the mission, Hayim, the Head of the Mossad decides to assign Rami a new agent to his mission - the daughter of a mythological Mossad agent named Shuki, a ladies' man and Rami's role model. The two are getting into trouble both in their mission and relationship. Are the Americans good? Are the terrorist bad? Yet none of it compares to the real important question: will Hayim get his longed annual vacation at the Olga Resort?
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.
Two Octopi fight for their lives with a stubborn restaurant cook in a comical escape through the streets of a small Greek village.
For their first day on the job as the new protectors of Metro City, Megamind and Minion are selling off the gadgets from their evil lair. But when one seemingly harmless "button" unleashes the gigantic robot MEGA-MEGAmind, the duo will have to resort to their old tricks to restore order.
Chosen the world’s protector against the Seven Deadly Enemies of Man – pride, envy, greed, hatred, selfishness, laziness and injustice – young Billy Batson accepts his destiny as Captain Marvel. Battling alongside Superman against nefarious Black Adam, Billy soon discovers the challenge super heroes ultimately face: is it revenge or justice?
A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...
Scott Pilgrim vs. The Animation is an animated short based on Bryan Lee O'Malley's "Scott Pilgrim" franchise.
After a car accident, Ben wakes up in hospital. Not knowing where he is or what is going on, he starts exploring the corridors...only to find that the staff don't have his health in mind! The hapless patient must pull himself together and do everything he can to escape. It's an action/horror/comedy — ending with the wheelchair chase from hell!
After being betrayed and left for dead, David searches high and low for months; trying to find the man who betrayed him, John. After finding where he lives, he knocks on his door and greets him with a gun pointed to his head. After minutes of begging, even bigger secrets come to life which changes both men's lives forever.
Turbo-Charged Prelude is a 2003 short film, directed by Philip Atwell, featuring Paul Walker, reprising his role as Brian O'Conner, in a short series of sequences which bridge The Fast and The Furious with its first sequel, 2 Fast 2 Furious.
The Driver is hired by the FBI to help defuse a hostage situation. A disgruntled employee has kidnapped a CEO and has hidden her, demanding $5,088,042. The Driver delivers the money, writing the sum on his hand as instructed by the hostage taker. After he is told that he holds the life of a person in his hand, he is ordered to burn the money. As he complies, the federal agents break in and attempt to subdue the man, who shoots himself in the head before he reveals where the woman is hidden. The Driver then tries to find the hostage before she drowns in the trunk of a sinking car. As a twist, the kidnapped woman is revealed to be the hostage taker's lover. She coldly taunts the dying man in the hospital.
The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.