A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.
Back in Montréal after spending five years in Guatemala, Julie moves in with her elder sister, Jeanne, a chronic liar and woman of rather loose sexual morals... Disillusioned with love, Jeanne is nevertheless engaged to Noël. However, Jeanne and Noël lead separate lives, and only communicate by leaving each other messages on the fridge.Everything suddenly becomes very complicated. Jeanne compels Julie to take up with Noël so she can have a fling with a passionate musician. Noël, meanwhile, sets Julie up with Michel -- without Jeanne's knowledge. Julie mixes things up even further. Egged on by her friend Marie-Ève, she alters the contents of the messages on the fridge in an attempt to breathe new life into Jeanne and Noël's relationship. Along the way, she also begins to fall for the seductive Michel. The tables are turned on everyone... In the game of love and truth, illusion leads to betrayal, but love conquers all.
Industrialist François Delambre is called late at night by his sister-in-law, Helene, who tells him that she has just killed her husband. Reluctant at first, she eventually explains to the police that he invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber.
Rolf Köster has been working as a cashier in a small bank branch for years. Every day passes like the day before. He has a thirteen-year-old daughter who would rather write in a diary than speak and a six-year-old son who has to wear a bicycle helmet because he is constantly banging his head against walls. His wife organizes the whole family life, and Rolf stays in the background. But he has doubts as to whether he, who has "everything", is really happy. Then Rolf is unexpectedly given a week's vacation. He decides not to tell his family and to leave the house as usual. Rolf Köster begins to lead a double life.
A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.
A man planning to commit suicide hires a taxi driver to take him to his jumping-off point.
A night in the life of a cab driver in San Juan, Puerto Rico.
As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.
Despite her sheltered upbringing, Jenny is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget.
When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.
Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.
A dramatization of the Montreal Massacre of 1989 where several female engineering students were murdered by an unstable misogynist.
A Polynesian street-kid and a much older middle-class housewife are both incarcerated in the same mental hospital - she for attempted suicide and he for habitual crime. A friendship grows between them such that she offers him a place to stay upon his release. However, difficulties arise with his continued criminal activities and dependence on her for support - then his gang moves in with them. The film is based upon Sue McCauley's award winning autobiographical novel.
Mohawk archaeologist Baptiste Asigny engages in a search for his ancestors following a tragic terrain slump in the Percival Molson Stadium.
Ivan is old Russia: thick, dour, hard-working, often brutish; he misses Communism. He drives a taxi and one night meets Alexi, a new Russian, a musician, an alcoholic, irresponsible. Alexi stiffs Ivan for the fare, so Ivan tracks him down and a love-hate relationship ensues. When Alexi lets the bath water run over in Ivan's flat and Ivan must pay 500 rubles for repairs, he tries to force Alexi into day labor to repay him. It's hopeless. Then, suddenly, Alexi is discovered, goes on a jazz tour of America, becomes a celebrity, and returns in triumph. Ivan longs to renew the friendship, and it looks as if he may get what he wants.
Three women, who lived different period of time, all meet the cut glass bowl.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.
A divorced advertising executive finds her career in jeopardy when she begins a passionate relationship with a much younger man.