The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.
Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”
A 40-something gay man has an intimate pool party for his three best middle-aged gay buddies, wondering privately if that special someone might be among them.
Caught between two genders, the artist Eli Leven and Ester Martin Bergsmark touch and caress each other, while they bath together in clouds of steam. A persuasive voice-off describes the often hard and painful growing process, which led them to choose to be neither males nor females. But something else entirely. While memories of adolescences scarred by homophobia and discrimination are presented, the audience is also captivated by poetic evocations of bodies, of snowy woods, water, nature, and snails: the symbol of androgyny. This movie moves the audience profoundly. It is a hymn to sexual fluidity, which reveals the search for the true self, rendered through the use of contrasting, vivid, and often acid bright photography. Intended as a television portrait of the transgender artist Eli Leven, it is a psychedelic docu-fiction, a hybrid movie inspired by Derek Jarman's Sebastian.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
A young caterpillar yearns to fly like the butterflies and birds, but cannot launch himself high enough to do so ... until a couple start playing badminton nearby.
Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.
Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is brutally attacked and hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, leaves work to care for her chronically ill son, making it impossible for Melvin to eat breakfast.
What are you into? Explore the world of BDSM and kink in this documentary featuring rubber, latex, leather, sissy play, puppy play, and much more.
Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.
Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.
In this "beautifully intimate and utterly unique piece of cinema", Toby Amies crosses the line between filmmaker and carer, trying to cope with the strange and hilarious world view of the fragile eccentric, Drako Zarharzar. A love story. Drako Oho Zaraharzar can remember modeling for Salvador Dali and hanging out with The Stones. But he can’t remember yesterday. Following a severe head injury, Drako Zaraharzar suffers from terrible memory loss, he can access memories from before his accident, but can’t imprint new ones. As he puts it, “the recording machine in my head doesn’t work”. Consequently, and as an antidote to depression he chose to live “completely in the now” according to the bizarre mottoes delivered to him whilst in a coma.