Modern Education

Taken from The Arabian Nights, a wicked sorcerer and the beautiful prince Achmed battle one against the other during a series of wondrous adventures.

Jackie is a boy who is so trapped by his fears and doubts that he could not communicate with anyone. Then, a magic dragon named Puff comes to help Jackie by taking his soul force on a wonderous voyage to his island of Honah Lee. Along the way, they have adventures that nurture Jackie's imagination and courage in unorthodox ways.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Abraham Cadabra, an unconfident young man buys a magic book and top hat in the hope of using magic to impress the girl of his dreams, Penelope Predicament. However, when he meets her for a date, he discovers that his rival, Jock Strong has beaten him to it. Abraham tries to use magic to win Penelope over, but magic may not be the solution.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

A homeless bum, bored of eating the same food every night, promises his girlfriend a special dinner. He plans to take her out with money robbed from a passing stranger. But the bum’s in for a surprise when the man he targets for his mugging turns out to have special – and hilarious – powers.

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.