When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
Abhimanyu Kaul - a young, independent, Games Developer, living in Japan and the love of his life, Anwita Chauhan - a bubbly, passionate and full of life, summer intern. Their happy and content life faces the test of time, when blood ties and the pressure of being born into the first family of India tears a young Abhimanyu between his love for Anwita and a promise made to his dying father, the Prime Minister of India. Being a public figure, by reluctantly accepting to represent the governing party, much against his own wishes and at the cost of his private life, is a double-edged sword that Abhimanyu must walk on.
The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.
Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.
Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.
Seenu loves Sunaina but they're chased by a stalking cop, an infatuated beauty and her mafia don dad - can Seenu's heroics work?
A Bollywood obsessed auto-rickshaw meets and falls in love with an actress. When the film crew packs up and leaves, he too sets off to Bombay to be close to her.
Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.
Thanga Malar
Adiperaku
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
New York is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends - Sam and Maya. It is the story of these three friends discovering a new world together.
Roy, a professional conman, gets dumped by his girlfriend after she find out the truth about him. After being diagnosed with a fatal disease, he resolves to do some good by helping an amateur conman, Dittu to hoodwink the mobster who hurt his family.
Aditya is an orphaned and lonely young man. He soon learns that he belongs to a family of ancestral warriors who guard a mystic source of cosmic energy, and he must now take up his responsibilities.
A small-town girl finally realizes her dream of becoming a famous supermodel but soon finds out that there's a price for her glamorous new life.
A gangster sets out to fulfill his father's dream of becoming a doctor.
Nikhil Kapoor decides to re-locate from Parksville, USA to Bombay; meets with Anamika Joshi and instantly falls in love with her but she does not reciprocate. When he sees her again, she is in the company of a possessive male, Farhad, who does not permit Nikhil to even talk with her. When Nikhil persists, an altercation ensues, weapons are drawn and Rahul, Nikhil's friend, is shot and ends losing the use of his legs, and Nikhil is arrested. After 3 years, Ira Malhotra enters Nikhil's life, hears his story and decides to assist him - not knowing that this move will jeopardize not only her life but also three other lives.
Photographer and serial womaniser, Mac devises a scheme to keep three airhostesses, who are unaware of each other, as his live-in partners. Everything works fine as long as they only come home every third day. But changing schedules, a jealous friend and his fiancé might just break apart his elaborately structured life of deceit.