The story of a Soviet military serviceman and a male Georgian dancer. An anti-violence film about the awakening of human instinct in an invader
The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.
Unable to decipher reality and delusion after his son and wife die, a successful businessman struggles to find peace with his own conscience.
A distraught squatter tries to cope with his werewolf nature through drugs and music.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Through a series of auditions, a young actor in New York City struggles with his identity.
An animated short based on Hans Christian Andersen's tale about a poor young girl with a burning desire to find comfort and happiness in her life. Desperate to keep warm, the girl lights the matches she sells, and envisions a very different life for herself in the fiery flames filled with images of loving relatives, bountiful food, and a place to call home.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Belly
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.
A sci-fi film about futuristic Africa, 35 years after World War III, 'The Water War'.
Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
A man attempts to evade observation by an all-seeing eye.
A man prepares and goes to work in a bizarre world, where the meaning of human workforce is taken to another level.
Young James struggles as an outsider at his school. His teacher, Mr. Sutherland, is the only person he feels he can connect with. When James finally puts a voice to his feelings, Mr. Sutherland's response isn't what James had hoped for.