Jogan

A young real-estate broker tries to pull off a huge scam, which goes horribly wrong. To fix everything he involves his begrudging wife leading to an end neither could imagine.

Life without friends is like living in hell but when you have friends who are no less than devils, your life can be a living hell. Love Day - Pyaar Ka Din explores the journey of three childhood friends; Monty (Ajaz Khan), Sandy (Sahil Anand) and Harry (Harsh Nagar). Sandy and Harry often fall into trouble due to Monty’s antics. Sandy’s and Harry’s families do not approve of their friendship with Monty and separate the three friends. However, Monty returns to his friend’s lives after five years with a plan that would make them all rich. Monty’s plan backfires and his friends land into trouble again. Will Sandy and Harry regret their lifelong friendship?

Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory

Seminal silent historical film, the story features King Munja, ruler of Aranti, famed warrior and patron of the arts. Munja (Sandow) falls into the hands of his arch enemy Tailap, who received assistance from Bhillam (Altekar), king of Dharavati. Tailap orders that Munja be put to death but is held back by Tailap's powerful sister Minalvati (Fatma Begum), a widow who first wants to break Munja's spirit. Instead, she and Munja fall in love.

Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.

A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.

A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?

Life for a shy young Indian student slowly falls to pieces during a family road trip.

The government's insensitive and partial attitude towards its people is exposed, when it ignores the brutal murder of a man massacred by religious fanatics in Kashmir.

A parable on the moribund human bonds in a fast-paced world, which is a warning that poignantly highlights the futility of life and death.

A frightened second wife, a guilt-ridden widower, and a servant still devoted to her former mistress — all three tormented by the memory of a dead woman whose spirit appears to roam the corridors of the mansion they all reside in.

A debt collector becomes a major sensation when he takes on the rich man's sport of golfing.

Wah Taj is a Bollywood drama film directed by Ajit Sinha, presented by Jayantilal Gada (Pen India Pvt Ltd) and co produced by Pawan Sharma and Abhinav Verma under the banners of Pun Films Pvt. Ltd. and SpyderWave Films. It features actors Shreyas Talpade and Manjari Fadnis in the lead roles.

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

Vicky loves Meena. He cheats her and she commits suicide. Finally she comes back for avenge.

At a preview theatre, a young filmmaker waits in the hope of getting his new sci-fi drama certified with ‘no cuts’ by the conservative men of the Indian Censor Board. The board finds a kissing scene in the film beyond the duration stipulated by official, orthodox rules. The filmmaker and board members argue, but when they enter the movie theatre to review the film, the laws of physics begin to disintegrate, sending these men into a world of chaos.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.

Once upon a time there was a Kingdom Ujjaini and its King was Maharaj Raja Vijay Singh (Pran) his only daughter Princess Indumathi (Jayaprada) loves a dynamic guy Ramu (Jeteendra) who was a gardener in fort, Maharaj keeps a condition that if he could become equal to his status then he will give his daughter's hand to him. There was a mesmerizing person Mantrik Husair (Kader Khan) who has super natural power who wants to achieve a powerful ideal of Pataal Bhairavi

A political-drama where a young woman from a small village rises to power into the world of politics by breaking barriers of caste and patriarchy and overcomes the obstacles placed by her opponents to become the chief minister and work for the upliftment of backward classes.

Lakshya, an acclaimed painter, faces marital strife as his wife Palak craves luxury, clashing with his simple lifestyle. Alisha, a wealthy art promoter, complicates matters, igniting lies and betrayals.