Pity

A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.

Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

The story of a Soviet military serviceman and a male Georgian dancer. An anti-violence film about the awakening of human instinct in an invader

On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.

An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.

Three strangers are selected, at random, to suffer a horrible death. Jeff, Robert, and Angie are thrown together in a dungeon and forced to wait their turn to die. No one can help because they are now the disappeared.

A woman injured in a car accident turns to the supernatural to heal herself.

A road movie about three guys (two hitchhikers, one driver) and one woman.

A re-enactment of the Jules Durand case. In 1910, Jean Jaurès [leader of the French socialist movement] took the lead in defending a working-class coal miner, Jules Durand, accused of complicity in and condemned to death for the murder of a labor leader. As in the Dreyfus Affair, a false dossier had been used to convict Durand. Jaurès argued that the memory of the Dreyfus Affair saved Durand, calling the case the working class’s Dreyfus Affair.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

It's a bird, it's a plane, it's-- Super Christian? Clark Kant is a mild-mannered Christian teenager with a super secret. Through light-hearted humor, the Super Christian series sets out to teach us something about Christian growth. In the first installment of Super Christian, we find that Clark Kant lives in two different worlds. During the week, Clark follows the standards of the world. "Why not?" he asks himself. "Isn't everybody doing it?" But on Sunday, in his Super Christian Best, Clark presents quite a different image. Then Clark learns through a friend that the Christian faith is for every day of the week, not just for Sundays.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

A lonely woman with an overwhelming obsession of masturbation must extricate herself from what consumes her every moment.

A lonely woman is walking a path in the woods. Soon she arrives at a house where she is warmly welcomed. The woman observes that her arrival caused a storm in family's life.

Lucy, a young Victorian woman in the Old West, is being tormented by nightly visits from an incubus. Her friend Madeleine tries to console her, but is unable to help. A fallen woman, Lucy gets a job singing at the local saloon. However, the Incubus has followed her there; and things take an unexpected turn as Lucy and the Incubus, amidst the rowdy cowboys and saucy can-can girls, have their final showdown.