Mazdoor

A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.

Purani Jeans is a film based on the belief that friendship is like a pair of old jeans—the more you wear them the better it gets. The summer now unfolds more dramatically as the boys make detrimental choices—of love, sex, friendship, jealousy, heartbreaks & betrayal, finally leading to broken bonds of friendship. The film travels with Siddharth as he explores equations with his past—to rebuild friendships with his four friends whom he grew up with in a small town in Himachal Pradesh in India. When Siddharth lands in India from the US, ghosts from his youth loom up. He finally overcomes the complications and sets right all the wrongs done in his past & rediscovers bonds of friendship.I n the end Siddharth goes back to New York a better man; reconciled with his past & most importantly rediscovering a happier today. He returns to New York with the belief that friendship is indeed like Purani Jeans, the older the better!!

Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.

Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

Shanta, a widow who wants to question the orthodox society, falls in love with Shekhar, a poet. In her quest to fight the system, Shanta's father-in-law, a retired judge, supports her.

A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).

Arun and his wife have been married for several years, but struggle to conceive. Then Arun has an extramarital affair and his lover gets pregnant.

The alpha male and the conscious female both seeking to destroy each other by pushing dormant buttons and grasping pleasure in serving and devouring. It's a circle that liberates before it starts to suffocate.

Rajveer who comes to Lucknow from Afghanistan for his better living searching a job for himself there he gets to meet a filthy rich girl Jaspreet(Mishikka Chaurasia). Jaspreet falls in love with Rajveer for his sincerity and purity.

Set in the backdrop of the spiritual capital of India, Banaras, the essence of relationships which seems to be missing in the present day is brought forth.

Kya Masti Kya Dhoom

In order to exact revenge on his sister, a dacoit kidnaps her daughter and includes her in his gang. However, the girl soon escapes and plans to destroy him.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.

Based on a folk tale from Rajasthan, "Parinati" deals with the inherent tragedy of human avarice, which must inevitably lead to self-destruction. Ganesh, the protagonist, is a potter who leads a happy and contented life in a remote village. The only ambition he and his wife Kurjan share is to get their only son Laxman married and bring a daughter-in- law home. Destiny, however, has ordained otherwise. Ganesh is hand picked for his honesty and dedication by a local charitable Seth to become the caretaker of his inn in the middle of the desert. There, Ganesh and Kurjan meet a wealthy couple, who are greatly pleased with their service and hospitality. They offer to take their son Laxman to distant lands, teach him trade and make him fabulously rich.

Hasmukh Mehta loves power. He exercises power over his family and even those who work under him in his business empire. His son Ajit Mehta offers a weak foil to Hasmukh's assertive behavior. His wife Sonal is the butt of his jokes and an easy target for his blame games. Ajit's wife, Preeti copes with her father's insufferable behavior by simply giving in. All are waiting for the day the old man will die and leave his vast fortunes to them. He does die, but he does not leave his fortunes to them. Not only that he uses his money as a bait to make them act according to his will, literally ruling them from his grave through a convoluted will that has them doing exactly what he wants them to do. Through his will, he instructs his mistress Kiran Jhaveri to live with his family, using her as a proxy for him, while he enjoys his power even as a ghost! But even the most perfect of plans don't always go the way they are supposed to.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Dimple seduces a married Shekhar Suman in a damned sexy song.

The story is about the dream of Rajaram and its impact on the society. Rajaram an enthusiast by nature had only one dream of becoming an actor since his childhood. Being a village resident, he was deprived of that chance to live his dream. Will the duo be able to survive the obstacles or become a victim and succumb to the blind beliefs of the society? Who is the real Ravan, Rajaram or We "The Society"?