The first Women’s Air Derby was flown in 1929 with brave women making history by breaking into a competition that was thought to be for men only. They encountered sabotage, death, and all the difficulties of flying at the dawn of aviation. Today the Powder Puff Derby continues as the Air Race Classic. The modern-day racers carry out the legacy of the original racers with their adventurous spirit.
Director Elisapie Issac's documentary is a sort-of letter to her deceased grandfather addressing the question of Inuit culture in the modern world.
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.
The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.
PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.
"Black Diamonds: Mountaintop Removal and the Fight for Coalfield Justice" is an award-winning feature documentary exploring radical community resistance to the explosive rise of mountaintop removal coal mines in Appalachian states.
Israeli director Natalie Assouline chronicles the lives of women, mostly young mothers, in prison for involvement in failed suicide attacks/terrorists attacks in Israel. Filmed over two years, this portrait strives to unearth the motivations behind their crimes. With the women's heads and feelings firmly covered, the film reveals no answers, just the heart-breaking tension between humanity and ideology.
We follow the filmmaker's struggle to reconstruct a period of her life when she lost her memory.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Portrait of the pioneer of animation films Lotte Reiniger.
Glasnevin Cemetery is the final resting place of 1.5 million souls; it is Ireland's national necropolis. ONE MILLION DUBLINERS reveals the often unspoken stories of ritual, loss, redemption, emotion, history - and the business of death.
An experimental piece of film-making by Margaret Tait, featuring three children at play in a burn and garden, splashing and having fun playing with water.
Operation Bethlehem follows Palestinian director Leila Sansour's extraordinary journey to the legendary city of Bethlehem, the place where she grew up. Armed with a camera and a family car that keeps breaking down, she sets out to make an intimate portrait of a historical town in peril. Five years on, with 700 hours of footage, the result is nothing like she had expected.
Slovenian director Petra Seliskar investigates the role of ideology in her personal family history by means of interviews with her paternal grandfather, her Macedonian boyfriend Brand's maternal grandmother and his Cuban grandmother on his father's side. Illustrated by archive footage and home movies, her voice-over describes her family's personal story, Yugoslavia under Tito, and the recent war, accompanied by some particularly shocking footage. The nature shots and the alternation of classical, popular and revolutionary music occasionally lend the stories a light-hearted tone.
Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.
In these three basic workouts, you’ll be guided through a series of fun and easy yoga postures. "Beginners' Class" (46 min.) is an introduction to the practice of yoga; "AM Wake-up" (12 min.) is an energizing workout to start the day by awakening your body and mind; "PM Relax & Restore" (10 min.) is a restorative series of poses to calm your mind and body.
A documentary about Asperger syndrome that will teach you we don't all take the same journey towards happiness.
Gottland provides an unconventional look at Czechoslovak 20th century history. Inspired by the bestselling book “Gottland” from the Polish journalist Mariusz Szczygiel, this feature-length film is comprised of short stories portraying peculiar fates. Young documentary film makers from renowned Prague Film School FAMU, inspired by the book, take a closer look at the history of post-war Czechoslovakia and Czech Republic, in order to discover new heroes and remind us of the ones that were forgotten or erased from the history.
Last Of The Clan follows the efforts of a man who as one of the last in 70' Czechoslovakia uses horses for timber harvesting.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.