Kevin Basko of Rubber Band Gun discusses his creative process and musical insights while recording his album En Passant.
Setlist: Hotel California Lyin' Eyes Wasted time Take it to the limit Desparado Midnight Flyer Turn to stone Already gone One of these nights Funk #49 Good day in hell Rocky mountain way Witchy Woman James Dean The best of my love Walk away Tequila Sunrise
Filhos do caos
Storm
Nos va la marcha
Documentary by students Beatriz Camargo, Eduardo Tardin, Guilherme Amoroso and Thais Gurgel from the Department of Journalism and Publishing (CJE) of the School of Communications and Arts (ECA) at USP about the musical group Cansei de Ser Sexy.
It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.
Benjamin Biolay, retour à Sète
Watch and listen as the cult-admired rockmob [Killola] rifles through ten songs on a warm California night that took place in October 2006. On the heels of their highly-acclaimed debut CD "Louder, Louder!", Killola shows the world that their live show is just as infectious and vibrant as their sound, their style, their attitude.
Three years after winning the first season of music competition program "Sing again - Unknown Singer," Lee Seung-yoon has since released two full-length albums and an independent film about him, "Notes from the Unknown". "LEE SEUNG YOON CONCERT DOCKING : LIFTOFF" is a live performance film about the last day of the Seoul performance of Lee Seung-yoon's national tour concert DOCKING in 2023. Whether his fans are still reeling from his last concert or have yet to experience his live performances, this movie will give them a glimpse into his charm as a performer.
Contains the hits Sultans of Swing, So Far Away, Walk of Life, Money for Nothing, Brothers in Arms, and many others.
This show was filmed for the famous German TV series Rockpalast in MIDEM in Cannes on 29th January 1986. Pete Townshend's Deep End were touring in support of Townshend's solo concept album "White City: A Novel". Several of the musicians that appeared on the album were featured in the line-up of the Deep End including Pink Floyd's David Gilmour on lead guitar. The set list has tracks from the "White City" album, other Pete Townshend solo tracks, Who classics, David Gilmour's song "Blue Light" and a couple of surprises. Pete Townshend and the band deliver an outstanding performance that showcases him as a solo artist as distinct from his work with The Who.
MAREA: 28000 puñaladas
Prince and the Revolution perform live at the Summit in Houston, TX on 12/29/1982
Changes is a documentary and live DVD released in September 2004 by the hard rock band Godsmack. The DVD was recorded in early 2004. That same month, the group also released "Batalla de los Tambores" a drum dual between Shannon and Sully, available only via online services such as Apple's iTunes Music Store, Real, Napster, and the Zune Marketplace.[1] The DVD has been certified Gold by the RIAA.
Playing For Change Band – Live In Brazil
At the Philharmonie de Paris, Brazilian music legend Gilberto Gil revisits half a century of his career in a gentle, committed, and eclectic concert.
Tom Petty and the Heartbreakers performing live in 1999.
An independent documentary exploring the early life, artistic vision, and cultural impact of rapper Lil Peep, focusing on his formative years and emotional world.
BRIT-winning and Grammy-nominated band Bring Me The Horizon's biggest headline show to date. Shot at São Paulo’s Allianz Parque Stadium, performed in front of a sold-out crowd of 50,000, the film expands the visual universe of POST HUMAN by blending cinematic visuals, fan-submitted videos and showcasing characters such as E.V.E, Selene & M8. It delivers an immersive experience that rivals that electric night in Brazil. The performance spans the full evolution of BMTH’s discography, from Sempiternal and That’s the Spirit to amo and the POST HUMAN albums. L.I.V.E. in São Paulo brings the viewer in, and never lets them go.