The Ballad of Sexual Dependency

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

They're clean, educated, articulate and rarely receive public assistance. But following a divorce, job loss or a long illness, a growing number of middle-class women are forced to live out of their cars. Directed by Michèle Ohayon (Colors Straight Up) and narrated by Jodie Foster, It Was a Wonderful Life chronicles the hardships and triumphs of six "hidden homeless" women as they struggle to survive, one day at a time.

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

A conflicted gay man struggles to teach his younger self about the challenges of adult life. Searching for answers inside stories from his past, he must confront his nature and the man he will become. Documentary meets musical feature in this experimental coming of age drama about power and masculinity in modern day Australia.

Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.

Journey to the seemingly idyllic world of Native Hawaiians, whose communities are surrounded by experimental test sites for genetically engineered seed corn and pesticides sprayed upwind of their homes, schools, hospitals, and shorelines.

Jo; or The Act of Riding a Bike is Zefier's third film.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

After the Kyrgyzstan Independence in 1991, the ancient practice of Ala-Kachuu ("grab and run") returned. Some women escape the men that kidnap them, but many remain married because of tradition and the fear of scandal.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.

A picture about the fine art of prehistoric times, the remains of which have been found in various places on the European continent.

The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song of Life", which focuses on the part of his work that draws its themes from life in the village.

The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious Homeland", which focuses on the part of his work drawing on Czech history.