Homestar Runner: Strong Bad's Emails

A boy responds to a mysterious email that keeps being sent to him, and he eventually follows one of the emails not knowing it has changed his life forever.

A video editor for a news show in New York City receives government files containing footage from a police car's dashcam.

A short film about coffee, reading emails and homework.

"Before I left today, I almost forgot to answer a lot of e-mails."

Ojamanga Yamada-kun

An anthology of three short stories based in a small blue gazebo.

أزمة وتعدي

Casper is a time traveller who arrives in the 2020s in an attempt to prevent a major future catastrophe. He meets Holly, a queer black woman he befriends and draws into his plan by giving her his knowledge of the future so that she can make quick money. However, they unwittingly alter the future themselves with their actions, until Doris, another time traveller, arrives to stop them.

A short Estonian animation about a rabbit who creates a mechanical being that struggles to navigate a frantic, pop-art world.

Besht Al-Modeer

خمسة وخميسة

Stronzo

دوار العفاريت - dawar al afarit

Acknowledging Len Lye, Lomas has created a vibrant, naturally kinetic and textural world of colourful geometric shapes going flatstick. (NZFF 1998 programme)

In Bacon Head, director Ray Mahoney pulls no punches in a series of sketches mocking everything from kitchen utensils to the Shroud of Turin.

Something monstrous is slaughtering deer in the marshlands of Ohio, leaving them torn to shreds. Authorities believe it to be the work of a bear, but army veteran Jack Sullivan knows the truth. He has heard the creature’s name, but nothing can prepare him for the disturbing reality of BIGFOOT. The original monster of American folklore, Bob Gray’s Bigfoot is more savage, relentless, and bloodthirsty than he’s ever been before. The deer were just the beginning. He’s saving his ultimate wrath for the men who enter his domain.

An ugly ducking attempts to become desirable.

Everyday Is Like Sunday is a comedy/drama aiming the lens at post-collegiate characters stuck between their imminently-ending youth and impending adulthood. The film follows Mark, Jason, and Flora, as they realistically attempt to pull themselves out of economic and emotional doldrums.

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.

A man stuck at home with a fractured pelvis tries every means possible to attract a woman into his bed, among them a beautiful policewoman investigating the disappearance of the young man's fiancée. The single camera, ostensibly mounted at the foot of the bed so the doctors can keep an eye on his leg injury, is focused on the man's penis, which, as his face is never shown, must do all the acting in one single uncut shot.