Le grand roman de l'homme
"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici
Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.
Nychos is an illustrator, Urban Art- and Graffiti artist who became known with his street concept RABBIT EYE MOVEMENT (REM) 10 years ago. The icon of the movement is a white rabbit, which has been breeding since then and has been popping up in the streets all over the globe for the past decade. This is exactly what Nychos thrives for – he travels the world to spread his art and his REM concept. Within the last two years Nychos was accompanied by filmmaker Christian Fischer who recorded these journeys to create a full lenght movie. ”The Deepest Depths Of The Burrow” is a documentary about art, lifestyle and subculture.
A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.
Directors Jonathan Alter, John Block and Steve McCarthy bring New York columnists Jimmy Breslin and Pete Hamill’s courageous writing to life, celebrating the acclaimed journalists and the city they loved.
Michael Palin heads for rural Pennsylvania and Maine to explore the extraordinary life and work of one of America's most popular and controversial painters, Andrew Wyeth. Fascinated by his iconic painting Christina's World, Palin goes in search of the real life stories that inspired this and Wyeth's other depictions of the American landscape and its hard grafting inhabitants. Tracking down the farmers, friends and family featured in Wyeth's magically real work, Palin builds a picture of an eccentric, enigmatic and driven painter. He also gets a rare interview with Helga, the woman who put Wyeth back in the headlines when the press discovered he had been painting her nude, compulsively but secretly for 15 years.
This documentary describes Bonnard’s relationship with contemporary artists such as Gauguin, Matisse, Cezanne, Seurat and Renoir, his personal relationship with his models and his personal vision expressed through his paintings and sketchbooks. A life dedicated to ‘colour, form and reason’ over content and feeling.
Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.
The story of one of Australia's greatest 20th century painters, incorporating rich archive material including rare interviews with Smart and his long-term partner Ermes De Zan.
The true identity of Perth's enigmatic Walking Man is revealed through a compelling investigation in the lead up to the unknown artist's debut exhibition after his untimely death.
Artists Bo Bartlett and Betsy Eby travel the country finding art in their surroundings before being unexpectedly forced to consider what it would mean to lose the ability to see.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
The documentary proposes an exhaustive journey through the life and work of Salvador Dalí, and also of Gala, his muse and collaborator. It starts in 1929, a crucial year in Dalí's career and life, as he joined the surrealist group and met Gala, and advances until the year of the artist's death in 1989.
Katolícka moderna
Krásna Hôrka
Betliarsky park a kaštieľ
Kaštieľ v Strážkach
Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.