Call him a city slicker. Call him a tenderfoot. But don't call him a member of the family--yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie's lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don't make a cowboy, and it's going to take more than mere posturing to charm Mr. Ryder... in fact, it just might take a miracle.
Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he's been looking for...
A tenderfoot arrives in a western town and the inhabitants give him a rough time.
Based on author James H. Tevis' Arizona in the 50s. Natural dangers and hostile Indians create problems for travelers in the West in the 1850s; a young man almost killed in an Indian raid looks to a frontier scout, Mose Carson, for an education. They get involved in a plan to sell wild mustangs to the Army. The edited-down theatertical release of a 3-part miniseries that aired on television.
When Timothy Atkinson arrives in a rough Western town to become the telegraph operator, the locals peg him as a tenderfoot.
Antoine Espérandieu, a French tenderfoot, lands in Windows Canyon, Arizona, a remote place under the thumb of dangerous outlaw Dynamite Jack, only to discover the friend he was to meet there has been murdered. Worse, it is not long before Antoine realizes he is Jack's perfect lookalike. All the same, he decides to settle down in the small town, where he becomes the local tax collector. One day, he finds himself face to face with the bandit...
Willie Duggans, a tenderfoot from the east, arrives in the wild west and soon experiences its violence. Willie discovers the easy money in bounty killing and must choose between that violent lifestyle and the love of a beautiful saloon singer.
A 12-year-old girl, her visage twisted by an otherworldly force, gnawing on a bone with a menacing.....
During the Great Depression, Kennicke, a rancher in western South Dakota, hires on vagrant workers, only to murder them when it comes time to pay. When a new vagrant, The Stranger, arrives on the ranch and asks for work, Kennicke hires him on. Kennicke quickly realizes The Stranger is different from the other drifters who have met their fate on the ranch. He is smart and vital, and always seems to understand what Kennicke is thinking. It quickly becomes apparent that The Stranger might know more about Kennicke's murderous acts than seems possible. And soon, Kennicke realizes his own life might be in danger.
When a fisherman's boat gets struck by a storm in the Arabian Sea, he lands in the Pakistani waters along with his crew.
The plot of the film revolves around a love triangle among Milon, Bubly and Roshan. While Milon pursues Bubly in the movie, she loves Roshan, and the storyline will progress onwards with further cinematic climaxes and conflicts.
Eugen is released from prison at 28 years old, he has no one except his father Helmar who abandoned him when he was born, and friends Stina and Riko from the orphanage. Eugen attempts to begin a new life and contacts his father, but he finds himself returning to an endless cycle of violence.
Perseidit
Two bodies are recovered in a reservoir. They are of a married couple who now leaves behind two orphaned young adult children. When Angela, the cop tasked to investigate the deaths, breaks the news to the couple’s daughter Connie, Angela is stunned. Not only does the cool and undeterred Connie already know about the deaths, she claims she’s responsible for them. So begins the mystery, but also the relationship between confessor, whose tragic backstory we learn about in flashbacks, and her investigator, who has parental troubles of her own.
A mosaic film of three stories in three different Asian cities where the paths of the rich and poor cross one another in and around taxis. A closeted Beijing cab driver tries to seduce a rich passenger, a Hong Kong pregnant trophy wife starts to develop feelings for her new Indonesian maid and a Jakarta slum orphan becomes infatuated with a Western female backpacker. All three characters desperately want to connect on a basic human level but are their own worst obstacle.