Way Down East

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.

The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

One out of three silent adaptations of the novella "Les quatre diables" written by Danish author Herman Bang. The most famous one, although unfortunately lost, is without any doubt F.W. Murnau's "4 Devils". This German version, by Danish director A.W. Sandberg, was done eight years prior to Murnau's American one, and was a big success at the time.

The heavily indebted baron Henrik von Hagen, who loves women and partying, learns that his former lover, Russian ballerina Madame Vera Vasiljevna, will be visiting Finland. They are reunited and sparks fly. But Vasiljevna's new hobby casts a shadow over their romance.

A young man fakes his identity to impress a girl.

A minister founds a fraud company, but a lawyer smells a rat.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.

Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.

A girl in search of sailors lost in the Pacific.