We follow the story of The Thinker bombing at the Cleveland Museum of Art, trying to solve the mystery behind it because no one was ever caught. By following this case, we unravel the whole landscape of Cleveland and the USA in the 60s/70s - student protests, social justice movements, anti-war movements, and radical militant groups. We give a context to the bombing, which is symbolic on so many levels - it's an art piece that randomly became a target for political violence that, by being left unrepaired, became a reminder of the complicated history of the 60s/70s. The Thinker is a silent witness to this fascinating decade, looking down from his pedestal, still thinking about our place in the world as humans.
Shipyard is a landmark documentary covering the creation and life of Bellingham, Washington's wooden boat shipyard, which was built in response to the Axis threat of WWII, it's continued growth through the '50's and '60's, as well as it's innovative role in the development and production of fiberglass boats, including patrol riverboats for the Vietnam war.
A two-year investigation uncovers a scandal behind the making of one of the most recognized photographs of the 20th century. Five decades of secrets are unraveled in the search for justice for a man known only as "the stringer."
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.
The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.
"From Mexico to Vietnam: A Chicano Story" is an inspiring documentary that chronicles the life of Jesus S. Duran, a Mexican immigrant who became a decorated U.S. Army soldier during the Vietnam War. Born in Juarez, Mexico, Duran moved to the United States as a child and enlisted in the Army in 1968. On April 10, 1969, while serving as an M-60 machine gunner with Company E, 2nd Battalion, 5th Cavalry, 1st Cavalry Division (Airmobile), he displayed extraordinary bravery by rescuing several wounded comrades during an intense enemy ambush in Tay Ninh, Vietnam. His valorous actions led to a posthumous Medal of Honor by President Barack Obama. Directed by Andrés Gallegos, the film delves into Duran's personal journey, his family's migration from Mexico, and the broader impact of the Vietnam War on the Chicano and Latino communities.
Short propaganda film produced by the U.S. government about the Vietnam War, narrated by actor Charlton Heston. The movie includes scenes of battle that have been identified as staged and shouldn't be interpreted as an accurate depiction of fighting during the Vietnam War. For more on the accuracy of the footage in this film see the book "The Cold War and the United States Information Agency: American Propaganda and Diplomacy, 1945-1989" by Nicholas J. Cull (pages 248-49). This film was produced by the U.S. Information Agency (USIA) and is in the public domain. National Archives Identifier: 1182760 Local Identifier: 306.5798 Accession Number: NC3-306-77-7 ARC Identifier: 1182760 https://catalog.archives.gov/id/1182760
This is the true story of 627 brave American young women who brought hospitality and gratitude to soldiers serving in the Vietnam War.
A documentary about the Cu Chi tunnels in Vietnam during the Vietnam war. The film contains interviews with survivors of the war who inhabited the tunnels, including archival footage, and photographs. The filmmakers visit the tunnels in current day to explore the way so many Viet Cong lived during the war. The documentary features an interview with Robert Biss (American P.O.W. captured in 1966, who was at the "Hanoi Hilton"), and the Viet Cong member who captured him, explaining the events and emotions surrounding the event.
The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.
'From One Day To The Next' follows four elderly people through their everyday lives, observing how they cope with a gradual loss of autonomy.
From bombers to jet fighters, the United States relied heavily on its powerful air force during the Vietnam War. Through amazing archival footage, this program explores the types of U.S. aircraft used in combat and the impact they had on the war. Because the Vietnam War was the most-filmed war in history, there's plenty of excellent footage allowing viewers to experience dangerous missions almost firsthand.
During the Vietnam War, the US bombed Laos more heavily than any other country had been bombed before. Today, the Lao people live among, and risk their lives to clear, over 80 million unexploded bombs on their doorsteps. With great beauty and empathy, this documentary reveals the unbelievable stories of the men and women at the forefront of this monumental task.
Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.
Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.
More than a dozen Vietnam War veterans from the central Illinois area recount their tours of duty including ground and air combat, the fighting environment, their living conditions, coping with the loss of friends and health issues including the effects of Agent Orange. They also reflect on the reception they received upon returning home and their opinions of the war.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.