Juliette de Sade

Rome, Italy. After committing a heinous crime, a senior police officer exposes evidence incriminating him because his moral commitment prevents him from circumventing the law and the social order it protects.

Disowned in the past by his father, Kurt Menliff, a cruel and sadistic nobleman, returns to the family castle to reclaim his inheritance.

Dis-moi ta classe je te dirai qui tuer

When photos of her at a party cause her to lose a scholarship, a student investigates whether something devastating happened to her that night.

Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

A young Hacienda-owner abuses women due to his traumatic youth while his mother covers for his sadistic actions.

When a Russian doctor (Patrizia Gori) falls foul of the Nazis, she finds herself imprisoned at Fort Stilberg, a luxury brothel for German top brass where the women are overseen by sadistic SS officer Helga Hortz (Jacqueline Laurent). The doctor's medical skills bring her to the attention of Nazi Lieutenant Erik Mueller (Jack Taylor), who saves the lovely lady from becoming one of the establishment's 'hostesses' by assigning her to the infirmary.

Inspired by 70s Horror movies and real crimes, Dead Human Collection is a bloodbath that follows a deranged Serial Killer and his sadistic habits.

The film portrays the life of Tatsuya, a young man of proper descent whose outward respectability hides his urges for rape and torture. This handsome rapist seduces women, then brings them to the basement of the mansion he inherited from his well-to-do parents, where he indulges in lengthy sessions of sado-sexual violence. Based on manga by Masaaki Sato.

A collection of vignettes about the struggles and fears of motherhood

A boy is thrown into the middle of an increasingly bizarre local disturbance.

si seulement le capitalisme avait duré 120 journées

The young man, who was captivated by flowers, fell in love with a beautiful and pure flower. He was deeply moved and desired to be intimate with her.

A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.

A young priest named mark is sent as a vicar to a native American village in B.C. Canada, there he learns of faith and humanity, as he watches their culture being torn to shreds.

In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.

321 días en Míchigan

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.