Bedbug

A distraught squatter tries to cope with his werewolf nature through drugs and music.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

A one-night stand takes a surreal turn when a childhood Monster creeps from Under the Bed.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

A homeless bum, bored of eating the same food every night, promises his girlfriend a special dinner. He plans to take her out with money robbed from a passing stranger. But the bum’s in for a surprise when the man he targets for his mugging turns out to have special – and hilarious – powers.

It's a bird, it's a plane, it's-- Super Christian? Clark Kant is a mild-mannered Christian teenager with a super secret. Through light-hearted humor, the Super Christian series sets out to teach us something about Christian growth. In the first installment of Super Christian, we find that Clark Kant lives in two different worlds. During the week, Clark follows the standards of the world. "Why not?" he asks himself. "Isn't everybody doing it?" But on Sunday, in his Super Christian Best, Clark presents quite a different image. Then Clark learns through a friend that the Christian faith is for every day of the week, not just for Sundays.

An unemployed private investigator is offered a morally conflicting job regarding the abduction of a child.

In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.

Thee girls driving through a wooded area soon find themselves fighting for their lives after running into something on the road.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Montéquio Cebolinha and Julieta Monicapuleto find themselves in a passionate love affair, but unfortunately, their families vehemently oppose their relationship. Amagali and Friar Lourenço Cascão, ever the allies, come to the aid of the young couple, determined to support them through the challenges. However, just when they thought things couldn't get more complicated, Prince Xaveco of Verona unexpectedly enters the picture, adding another layer of complexity to the already tangled situation.

Dracula travels to New York for a change of scenery.

Two co-workers eat some contaminated apples. At dinner, a couple of nights later, they discover a truth more bizarre and horrifying than they could ever have imagined.

On a cold winter night, Laura reads her brother David the story of a strange creature that attacks children. Suddenly, a shiver runs Laura's body, feeling a strange presence in the house. It's him.

A man gets trapped inside a telephone box and nobody is able to free him.

A voodoo doll must find the courage to save his friends from being pinned to death.

Walt Disney enlisted former colleagues Hugh Harman and Rudy Ising to help create this underwater Silly Symphony. Ocean waves form merbabies who are summoned to an aquatic circus playground on the sea floor, where they interact with a parade of seahorses, starfish and other marine life, before disappearing into the surface from which they came.

A cat, being sent out for the night, begins to make trouble for some birds. He later has a nightmare that the birds grow and begin to extract their revenge.