During the Mexican Agrarian Reform, an engineer travels to a town to distribute the land of the landowners among the peasants.
Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister town, inhabited by mysterious voices and whispers…
Military leader is appointed to local government, becomes overly despotic in his leadership.
Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.
During the Mexican Revolution, a hardened and rich lady landowner is overtaken by the violence of the times. Losing her land and house, she falls in love with a revolutionary leader that is killed by a sadistic and corrupt federal officer. She takes the revolutionary flag and leads a rampage of violence and destruction.
The third and final chapter of director Ismael Rodríguez's series about Pancho Villa. Several stories about the life and death of the famous mexican revolutionary general.
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
Narration of one of the bloodiest episodes of the Mexican national history, The Tragic Ten, beginning when General Victoriano Huerta sent to kill President Francisco I. Madero, Vice President José María Pino Suárez and Senator Belisario Dominguez. The film recreates the moment of the execution at the hands of Huerta and his accomplices Bernardo Reyes, Félix Díaz and Manuel Mondragón.
A sharecropper and his daughter, a swarthy beauty, flee from the hacienda on which they live and join the Mexican Revolution.
Mexico 1926. Durazo is an outlaw and a former revolutionary. He is getting at the end of the quest for a coveted treasure. His mission will be interrupted by an unexpected meeting, which will define his life.
A woman who is about to die calls the town's priest and hands him a scapulary, saying that she knows of its great powers. Anybody who does not believe in them will end up dead.
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
In the midst of the Mexican Revolution, the landowner Mendoza manages to get along with both the government and the revolutionary group. For the former, he is a supporter of Huerta. For the latter, he is a Zapata supporter. Depending on the political preference of whoever visits him at his hacienda, he has portraits of Huerta or Zapata put up, and organizes a party in honor of his visitors. However, time goes by and the situation becomes untenable. For whom will he take sides?
In Mexican Revolution times, a guerrilla general and his troops take the conservative town of Cholula, near by Mexico City. As the revolutionaries mistreat the town's riches, General Reyes falls for beautiful and wild Beatriz Peñafiel, the daughter of one of the town's richest men.
While waiting for a train which will take them on their honeymoon, two newlyweds, Juan and Lázara, are separated by a federal army commander who is going around enlisting men to fight against the revolutionaries. Traveling with the troops, Lázara follows Juan until he dies in a battle against the Villistas. From that moment on, the young woman's fate will be in the hands of whoever happens to win the latest contest, an uncertain fate for someone whose only wish is for a home of her own.
A farmer is in love during revolutionary times.
This fictionalized portrayal of Emiliano Zapata as an Indigenous Mexican shaman, directed by Alfonso Arau, was reportedly the most expensive Mexican movie ever produced, with a massive ad campaign, and the largest ever opening in the nation's history. Unusual in the Mexican film industry, Zapata was financed independently.
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
Rafael faces the complications of the revolution and discovers true love with Luisa.
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.