Jobard Killed His Mother-in-Law

“The Lion and The Unicorn” is a short film inspired by the heraldic symbols found on the Royal Coat of Arms of The United Kingdom, the lion (representing England) and the unicorn (representing Scotland). The piece uses representations of both alliance and opposition to explore national identity within the context of the 2014 referendum on Scottish independence.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

Wile E. Coyote tries to drop a rocket bomb on the Road Runner from a balloon but inflates himself instead.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.

From the director RICHARD CORSO, FISH (2016), THE SALESMAN (2018) and CASSIDY BLUES (2020) and adapted from the short story by GREGORY FERBRACHE. PICNIC UNDER A GIBBET is a political satire about a court jester (SEAN MICHAEL CUMMINGS) a town fool (CODY DERMON) and a traveling plague doctor (LEONARD BARRETT JR) who enjoy a nice picnic under the corpse of the previous king.

This is a story about love.

A short film about not being able to choose what to wear on a night out.

After buying a microwave from a peculiar woman, two college roommates discover their new appliance is not quite what it seems.

A very rich and lonely dying man discovers the sperm he sold to help get through college has resulted in three children. He is determined to get this dysfunctional group together - whether they like it or not.

Céleste Noménoé, a provincial actor, comes to Paris for an inheritance. He also gets a part in a movie. The managers of a music-hall notice him. He takes the stage name of Grock.

A duck hunter sends his stupid mutt to dog college, and he comes back superciliously clever.

Sylvester Cat accepts a position as mouse-catcher on a ship, and his son, Junior, accompanies him. They encounter baby kangaroo Hippety Hopper being shipped from Australia and, as usual, mistake Hippety for a giant mouse.

It's the middle ages (sort of); Popeye is working in Bluto's Beanery. Bluto is going to the ball where Princess Olive will choose her mate. Popeye's fairy godpappy appears and it's a reverse Cinderella story, with a car created from a can of spinach.

Barney Bear sets out to capture the world's smallest horse.

To live and dine in L.A. It's the place to be. At least for several troubled locals and garrulous German tourists whose lives, for one reason or another, intersect for a star-studded dining experience they will not soon forget. What begins a droning and less than promising evening quickly blossoms into Tinseltown bliss as the curious strangers find themselves dining with none other than The Hoff (David Hasselhoff). However, as he touches each of their lives with the manifold skills and insights of his most celebrated roles, they soon realize The Hoff has much more to offer than mere stardom.

A woman is looking for a new man and settles for a bastard available for half the price.

A wealthy man, who is financially depend on his wife, hits the car to kill himself. Car owners and friends bring the man home. After the man wakes up, he asks them to kill him and even offers money. Describing the gap and difference between rich and poor, the short film surprises everyone with unexpected final.

Cliff presents his girl with a poodle at a party. His jealous rival plants bugs on both the dog and Cliff.

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.