A couple who can't stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.
A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
The Beastie Boys perform live at the Huntridge Theater in Las Vegas on June 09, 2004. This concert was later aired on MTV2.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she's used to.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
On tour promoting their 2002 studio album ‘A Rush of Blood to the Head’, English pop rock band Coldplay performs a live show at the Hordern Pavilion in Sydney, Australia in July 2003.
Electric Apricot is a spoof of jam bands centered around the band, Electric Apricot, in the style of "This Is Spinal Tap"
Closure is the 12th official Nine Inch Nails release. It consists of music videos interspersed with snippets from educational films, as well as exclusive footage shot by Peter Christopherson including antics by Nine Inch Nails and their tour guests: Marilyn Manson, Jim Rose Circus and David Bowie. Originally scheduled to be released on DVD in 2004, the disc appeared on internet torrent sites in 2006, including behind-the-scenes footage of the "Closer" video with commentary by Mark Romanek. Fans speculate that Reznor may have been the source of this leak.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Grammy-winning rock group Evanescence performs live at the Zenith in Paris, France on May 25, 2004. The set list includes: "Haunted," "Going Under," "Taking Over Me," "Everybody's Fool," "Thoughtless," "My Last Breath," "Farther Away," "Breathe No More," "My Immortal," "Bring Me to Life," "Tourniquet," "Imaginary," and "Whisper."
Pop-punk princess Avril Lavigne plays the hits that earned her legions of screaming fans (and launched a thousand ringtones) on The Best Damn Tour, a full-length presentation of her 2008 concert in Toronto. Opening with monster hit "Girlfriend," Lavigne rocks through every one of her major singles, including "Complicated," "My Happy Ending," and the ubiquitous "Sk8er Boi."
“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips
Going To California is a concert performance video by the British pop group Tears For Fears. Released in 1990, it is a recording of the band's show at the Santa Barbara County Bowl in May 1990 during their "Seeds Of Love" World Tour.
A two disc amalgam of the final performances of 2001's Madison Square Gardens performances by one of the greatest bands in the world of some of the greatest music in the world. The atmosphere positively floods out of the screen to envelop you and the hairs on your neck will be standing on end before the first note has been struck. After watching this you'll believe that The Boss is incapable of putting a foot wrong. By the end, he's only just short of defying gravity.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.