At the End of the Line

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

A desperate husband chases a bus full of beautiful women headed for Paris, France.

Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

After the revolution of December 1989, Romania is in full transition. Incertainty and chaos have followed Ceausescu's downfall. Fane, a worker in a wharf on the river Danube, is a former dissident who was in involved in politically motivated uprisings. Now that he has achieved what he has fought for, he is unemployed and everything around him seems to fall to pieces. His whole family falls victim to the changes of the early 90s. His daughter prostitutes herself, his elder son ends up in prison and his younger son becomes a thief.

Young engineer Doru is called to the Prosecutor's Office and questioned on his wife's unlawful ways of making money. Soon he'll learn about her true character and he'll regret having broken up with Livia, a woman who truly loved him.

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been keeping a terrible secret. Hitchhiking with two men, she was brutally raped in the woods. Although she has kept silent about what happened, she has not forgotten, and her son Órban serves as a living reminder.

Three young man run in the rain with a borrowed car. The first accident, whose victim is a girl, gives the signal for a race through the city to escape the police crews. Race ends tragically, with another serious incident, even one victim is involved. The only way out is escape. The film shows the psychological transformation of fugitives, in their desperate attempt to evade the consequences and pressures of their conscience.

The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the counter-revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.

A man is looking for a singer he had heard on cassette. He finds much more.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become like her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucharest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing at everything.

Young Romanian Adrian works as a hustler in Zurich's underground in order to get his sister Ioana out of Romania and to Zurich, where they can both have a better future.

Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.

A construction site is set up next to a colony of forest workers. Murgu, a worker on the construction site, and Maria, a girl raised by foresters who took care of the colony's household affairs, fall in love with each other.

Sasha works for a natural gas company. When his wife gives birth 2 months early, Sasha is searching for money to save the premature baby. Despite this, he refuses to take bribes, which threatens his job and leads to friction with his colleagues. His wife doesn't understand him anymore. Faced with a crisis, Sasha receives an order to install a furnace in a church, where he will have to destroy an icon painted on the church wall. Hoping to save the sacred image, Sasha has to corrupt the system.

Vitoria, a strong-willed peasant woman from the mountains, sets out on a relentless journey to find out what happened to her husband, the shepherd Nechifor, who disappeared without a trace after leaving to buy sheep.

The story of Niculae, Moromete's youngest son, who in the 1950s becomes an acclaimed young writer who lives his life and complicated love stories in a charged atmosphere tainted by suspicion.