American Wasteland

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

A look at the modern-day problem of "affluenza," an epidemic of stress, overwork, shopping and debt caused by the pursuit of the American Dream. The history of the condition is explored, as well as the advertising and marketing ploys used to sustain it. Men and women from around the country share their stories of personal debt and suggestions for financial recovery.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-longroad movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

A short film on throw-away culture and TV

Filmmaker Estela Renner analyzes the effects that mass media and advertising have on children, showing how the industry discovered that they are the best targets for selling products. In addition to listening to them, the film talks to parents who report how influential their children are at home and how this is directly linked to advertisements, and experts debate the negative effects of this exposure.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

The last days of Marco Pannella’s life - indomitable and disruptive protagonist over 60 years of Italian political life - shown through never before seen repertory materials, as well as unpublished interviews and illustrious interventions. A deserved portrait, dedicated to one of the most independent figures of the 900 Italian.

The history of arguably the most famous shop in the world, which has been based on Brompton Road in London for more than 175 years, employs more than 6,000 people and still welcomes 15 million customers every year. This documentary tells the story of the people behind the department store, including Robin Harrod, the great-great-grandson of the store's founder, and culminates with the recent allegations against former chairman Mohamed Al-Fayed

With his ultra-conservative policies, US President Donald Trump is disrupting the global order as well as US institutions and society. Filmed less than one year after the start of his second mandate, this documentary analyses the concrete impact of his policies on the American people.

St James's in London is renowned for being Britain's poshest high street. We meet the characters who run the stores, and the customers who buy their premium products.

The Kingdom of Survival explores modern skepticism in America, challenges the status quo and uncovers provocative links between survivalist philosophy, ecumenical spirituality, radical political theory, and outlaw culture. The audience is invited into a thoughtful conversation with the likes of Prof. Noam Chomsky, Dr. Mark Mirabello, Ramsey Kanaan, and the riveting final interview with beloved author, Joe Bageant. These unique thought leaders cast a rare shadow of doubt over our most blindly accepted American traditions.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

Gimme Green is a humorous look at the American obsession with the residential lawn and the effects it has on our environment, our wallets and our outlook on life. From the limitless subdivisions of Florida to sod farms in the arid southwest, Gimme Green peers behind the curtain of the $40-billion industry that fuels our nation's largest irrigated crop-the lawn.

Invisible Revolutions

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

A symphonic journey into our obsessive consumption. The many objects we accumulate begin their production journey in silent secluded industrial site where borderline men work in isolation without any interference. These men trigger, unconsciously, the long chain of creation, transport, commercialization and destruction of the objects feeding our bulimic lifestyle.

Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.