Sleigh Bells

Mowgli has been living in the man-village with his little stepbrother Ranjan and his best friend Shanti. But the man-cub still has that jungle rhythm in his heart, and he misses his old buddies Baloo and Bagheera. When Mowgli wanders back to the wild for some swingin' fun, he soon finds the man-eating tiger Shere Khan is lurking in the shadows and planning his revenge.

Taken from The Arabian Nights, a wicked sorcerer and the beautiful prince Achmed battle one against the other during a series of wondrous adventures.

A short film made by Walt Disney in 1923.

And here is an early success as he puts the viewer in the mood of a little boy, playing with his toys, running them through the paces of his little circus.

Max Fleischer draws a clown, who comes alive on the page. The clown doesn't like the way he is drawn and demonstrates his own artistic abilities.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.

When everyone in town falls under the spell of charismatic cosmetic surgeon Doctor Coppelius, feisty Swan must act to save her sweetheart Franz, before his heart is used to spark life into Coppelia – the ‘perfect’ robot-woman the Doctor has created.

A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

Part of the 'Inkwell Imps' series.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

Krazy Kat follows Ignatz Mouse and thinks about family as the latter takes his children out on a walk.

Stop-motion film from Émile Cohl has a clown walk out in front of a group of people and do various tricks including standing on his head, riding a horse and falling face first off the horse.

Several unique specimens of highly ornamented porcelain are shown in series. In each case the various pieces of ware are in reality formed of living people. After a short time has been allowed for admiration of each article, it disintegrates into the individual models, who pose in various figures and dances. In the following pictures are seen a powder box, a clock, candle sticks, a loving cup and a vase, all of wonderfully ornate design, beautifully colored. (Moving Picture World)

A cut-out animation depicting the Twelve Labours of Hercules.

The various parts of Faust are played by puppets.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.

In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.