This Is England

Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.

Who are we? Psychoanalysis of Ukrainians

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

El conserje

A silent succession of black-and-white photographs of the city of Montreal.

Dubaitjejer - betalt för att festa

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

This short documentary introduces us to a town where no one pays rent: Simoom Sound in central British Columbia, where loggers live on sturdy river craft. Every week there are visitors: the general storekeeper, the flying postman and most importantly, the forest ranger, who is ever alert to the threat of fire.

Captures the spirit and essence of the great San Francisco Human Be-In of January 14, 1967. Ten thousand people imbued with peace, love and euphoria. Set to hard rock such as only San Francisco blues can produce. BE-IN contains Allen Ginsberg, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Lenore Kandel and Buddha. Music by Blue Cheer.

Gedämpftes Licht

Meet the Mormons examines the very diverse lives of six devout Mormons. Filmed on location and across the globe, Meet the Mormons takes viewers on a journey into the day-to-day realities of individuals living in the U.S., Costa Rica, Nepal and beyond. From their individual passions to their daily struggles, each story paints a picture as rich and unique as the next while challenging the stereotypes that surround the Mormon faith.