Exposition of two different processes of forensic identification in exhumed bodies with features of violence.
Luttes intimes
On a journey through the interior of the earth, we learn about the life and dreams of a swiss explorer who searches for caves and underground rivers in a sector marked by violence and armed conflict in Colombia. This underground labyrinth is a metaphor about a dark past, buried deep within the soul, where old war wounds heal with the infinite passage of time.
Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.
Short documentary on Belgian artist Piet Bekaert.
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...
A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.
Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
This is a documentary done by a group of 2nd year students at the Bethel School of Supernatural Ministry. The documentary focused on God's heart to provide for His children. This is achieved through teaching and testimonies.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
An undaunted look into the cam business from performers and clients to website and studio owners.
In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.
The roads are full of snow and the bus is late. The Principal is mad at the bus driver but he is also sick.
Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
Prête-moi ton docteur