Oru Veedu Iru Vaasal

Two young women narrate their stories of recent love relationships. Living in the metropolis of São Paulo, their experiences are permeated by issues influenced by current ways of relating in love.

Vietnam veteran Archibald Wright is a house painter hired to work on a Beverly Hills mansion where he becomes involved in the life of the resident family. The owner Elaine left her husband J.P. while he was serving in Vietnam, causing him to become an alcoholic hobo living in downtown Los Angeles. Archibald tries to help their daughter Tory to continue her relationship with her father, even though Elaine is strongly against it.

Alma regrets not having touched the person she loves, but nevertheless, maybe that was the best thing. If they were together, the kiss that she seeks would have been lost. In the short film, the image narrates some facts and the sounds illustrate others – two possible paths from a gesture that changes everything. By image: Alma dared to speak with Duna, they started a relationship, they were together. But after a while they argue and separate. Alma ends alone. By sound: Alma regrets not having dared to speak with Duna, believing that they had been together forever. Alma still has the memory of Duna in her memory, but one day she meets a person who really loves her.

Bestiario

A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

Pasca is a sparring low hours without no aspirations in life, who's working at a gym and lives with her disabled brother. His best friend is an alcoholic former boxer. He wears a gray life until the moment he meets a young teacher girl with a very optimistic view of life, which makes him rethink how to live life.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Complex and intriguing Turkish drama about revenge killing. A young woman who went into hiding from her family talks about her life in a documentary. An uncle who sees the film in Germany won't let it rest .

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.

Submarines Olly and Beth join their friend Bobsie, who is convinced he is the great-grandson of the Rainbow “Pie-Rats”, to search for the legendary secret treasure that reflects the beautiful rainbows in the sky. Their exciting treasure hunt is filled with wonder, comedy, thrills and adventure. But, they are followed by the unscrupulous Snarky Sharkskin and his slippery seahorse gang. As resourceful as ever, Olly and Beth manage to overcome all the problems they encounter, survive the storms at sea, make a heroic rescue, and find the glittering rainbow treasure. However, in the end, the treasure hunt leads them to understand that the best treasure of all is family and friendship.

Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.

Venu, a violinist enters in a contract to marry the daughter of a wealthy industrialist. The girl has a fatal health problem.

The tale of two brothers with serious financial woes. When a third party proposes they turn to crime, things go bad and the two become enemies.

A muslim couple opens a butcher shop in Montreal and wishes to successfully integrate into Quebec society. But the butcher's father is an imam who sets up a little mosque in the back room and uses it to spread his fundamentalist views. When he is arrested by the RCMP on suspicions of past terrorist activities, his son, torn between love for his wife and allegiance to his father, gets involved in a plot to free him. Fed up by her husband's unwillingness to stand up to his father's wishes, the butcher's wife leaves to live a more fulfilling life away from the muslim community.

In a remote village in the mountains, Yzza is still waiting for the monthly package of medicine that her husband Hossein sends to treat their daughter. Failing to have the medicine being a matter of life and death, Yzza decides to go to Casablanca to fetch it. Without a proper address and with little money in her bag, this inexperienced, religious, naïve woman does not even fathom that Casablanca is an enormous metropolis, very far from her little rural village. Yzza’s bag is stolen and in her misfortune Yzza meets a young woman, a prostitute wanted by the police. From adventure to adventure, Yzza discovers the workings of an absurd society where her sensible codes are pushed and shoved. Director Naoufel Berraoui skillfully knits the portrayal of a city swarming with cars and people with the dramatic lives of his characters. A remarkable cast directed with sensitivity in a poignant drama with documentary-like accents.

The story follows Abby, a thirty-something artist living in Rhode Island caring for her husband William after he's tragically injured in a bar fight. As she attempts to coax him back to health, James, her childhood sweetheart and unrequited love, attempts to coax her back into living life again herself. The complicated love triangle that ensues is touching, poignant, and concludes with a realization that's as profound as it is beautiful.

Following the sudden death of their last surviving parent - their Dad, two brothers and two sisters return to the family home after many years to face each other, face facts and face the future. But what do they know of the past?

Two women lie accused and imprisoned in separate but adjoining cell blocks. Never having seen one another, they have formed a bond through the walls that no man can break.