Genre

A story about obsession and yearning for the infinite.

Archie, an inventory specialist at a weed shop, gets asked to try a newly engineered product before it goes on sale.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

In the worst part of town, a mysterious presence obstructs Joan from leaving the parking lot.

In a desperate attempt to survive, two deserters and a green beret try to reunite with their forces after the enemy unleashes its secret weapon.

Mario has prepared something for Cristina, but she doesn't seem very interested in knowing what it is.

A strange night in a small town, illuminated by the town's lighthouse.

The festive citizens of the Kingdom of Frogs crowd into an arena to watch their warriors engage in hand-to-hand combat and to see Tountia and her musicians perform an enchanting concert.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

Humans encounter various monsters, but each encounter has a consequence.

When Grandma leaves a bowl of dough alone in the pantry, strange things begin to happen.

An old man finds himself in a pretty disturbing situation and place.

Where Hazel Met the Villain is a 1914 movie starring Roscoe Arbuckle and Phyllis Allen.

Bob is a busboy, complacent with working his dead-end job. When his boss tells Bob that he is moving up in the company, the older, quiet cook, Lewy, opens up to Bob and shows him that there is more to life than cleaning tables.

A man and a woman are involved in the production of an animated film. He animates by day, she makes and repairs the accessories at night. Behind the scenes, a woman is waiting for her entrance.

Jota and Santi are two teenage boys who live in Madrid, looking for something that beats the summer heat. There is a story about a magnificent pool in one of the most controversial places of the city and they are willing to take the risk.

The guards of honour stand in front of the historical symbol of the state. No matter what season and weather is out there, they fulfil their duty. Is there a limit beyond which this honourable duty begins to look exaggerated?

A fantastical world where cats become the characters we’ve always imagined from assassins to superstars.

An Italian referee demoted and exiled to the remote island of Sardinia finds out what it takes to handle a real match