A celebration of Xuxa's 20th career anniversary with new versions to her greatest hits for a new generation of kids.
Xuxa's second volume in her series of educational, musical pictures dedicated to young kids.
Xuxa Só Para Baixinhos 3
Xuxa welcomes her little viewers to the magical world of circus in the fifth volume of her series of educational videos dedicated to kids.
XSPB 11
The queen is back! The “Xuxa Só Para Baixinhos” collection has just won a new edition, which continues to bring learning with fun to all children. With 27 new songs, the project teaches the alphabet in a light and fun way, allowing children to learn more about each letter.
QUEM É TIDINHA? | UMA ANÁLISE PROFUNDA
MÁFIA X | A MÁFIA DE FÃS DA XUXA
The Detroit-born Marshall Mathers emerged from poverty-stricken roots to become Eminem, the most commercially successful (and controversial) white rapper of all time. This unauthorized biography shows how he did it. Through a combination of behind-the-scenes footage, interviews and never-before-seen film clips, the film follows the rapper's rise from bad boy with attitude to multiplatinum artist with international appeal.
"King of the Cowboys" Roy Rogers stars with his real-life wife, Dale Evans, in this Western about a hardworking farmer who helps a struggling rancher by transporting her prize horse to Mexico. A fortuitous meeting with a fortune-teller (Charlita) -- who specializes in dire predictions -- sets the tone for their adventures. Burlesque comic Pinky Lee co-stars, playing himself.
A college professor remembers the humor and sorrow of his youth in World War II Britain.
Wendy the witch has low self-esteem. She doesn’t believe she has any witch power until she makes a new friend who convinces her try something new.
Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging, which appears in cinemas on October 23. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.
One of opera’s grimmest tragedies received a powerful new production during the 2021–22 season when director Bartlett Sher unveiled his Weimar-era staging of Verdi’s Rigoletto. In this performance, recorded as part of the company’s Live in HD series of cinema transmissions, commanding American baritone Quinn Kelsey gives a searing portrayal of the title character, a deformed court jester determined to protect the virtue of his daughter, Gilda, sung by radiant soprano Rosa Feola. His debauched employer, the Duke of Mantua, is tenor Piotr Beczała, with dynamic young maestro Daniele Rustioni on the podium to lead a cast that also features bass Andrea Mastroni as the assassin Sparafucile and mezzo-soprano Varduhi Abrahamyan as Maddalena.
This documentary follows 76-year-old nomadic musician Miguel Del Morales during his travels throughout Cuba, Guantanamo and Trinidad. Amid his journey, he meets up with some long-lost friends and makes brand-new ones. This engaging film was shot with just one hand-held camera and was a Director's Fortnight feature at the 2000 Cannes Film Festival. French filmmaker Karim Dridi directs and co-writes.
Betty driver vehicle
Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didn’t know he had – Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?