si me pierdo en un día nublado
Here, For a While
By 1968, it had been more than seven years since he had appeared on stage on front of a live audience. In his first television special, clad in his now-iconic black leather suit, Elvis performed classic hits both on stage alone and, in sequences generally regarded as the forerunner of today's popular "unplugged" jam sessions, with friends and original bandmates. The program also included splashy production numbers. The original name of the program was "Elvis". Taped in June 1968 in Burbank, it first aired that December 3rd on NBC and was the network's biggest ratings victory that year as well as the season's top-rated show. It stands today as one of the great moments in rock music history and as a stunningly brilliant milestone in Elvis career. After this triumph Elvis poured renewed creative vigor into his recording work, wrapped up his movie contract obligations and returned full-time to the concert stage, beginning a new and exciting era of the Elvis phenomenon.
KISS Kruise IV
The story of Laetitia, a blind woman passionate about violin.
A short film made by three students who are trying to escape the reality.
Kraftwerk, Björk, Rammstein or Robbie Williams on tour are not just concerts, but pop operas, the most spectacular stage events of our time. Tens of thousands make the pilgrimage to stadiums and halls to be there. But nobody knows the man in the background. Scumeck Sabottka has been a concert promoter for over 30 years. Constantly traveling, constantly negotiating, always on the lookout for the next big thing. An ex-punk from the Ruhr area who started out as a bus driver for Einstürzende Neubauten, worked his way up, came close to bankruptcy twice and then struck a deal with legendary promoters Fritz Rau and Marcel Avram.
Dubfiles have documented the scene's biggest players from Skream to Caspa to Joe Nice, in a Grime DVD style format with interviews discussing their backgrounds, influences and personal views on politics, art, existentialism and food.
Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.
In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The forceful feature-length documentary Journey to Jah by Noel Dernesch and Moritz Springer catches the global phenomenon of crossing borders by documenting the experiences of integration in a foreign culture. The film follows the internationally acclaimed European musicians Gentleman and Alborosie, which found a new spiritual home within the reggae culture while Jamaican singer Terry Lynn takes the other direction integrating European styles into her music.
Exploring the concept of the Ecology of Emotions, this musical film portrays an inner journey through the secret garden of creativity put into frame by the nature of Iceland. Hidden Eden is a metaphor for our inner secret garden of creativity. This project bloomed during an art residency in Iceland, sparked by conversations around our shared philosophies on voice and emotional connection. The nature of Iceland inspired us to make the connection on how the landscape reflects the emotional states of creativity and how it helps manage the homeostasis of our inner emotional landscapes. This exchange between emotion and the landscape opens a space for healing. Creativity provides us with the tools to access a garden of our authentic being, nourishing and balancing us. Allowing ourselves to explore the spectrum of our emotions through the lens of our relationship with the Earth invites others to do the same. The creative process can affect our well being and is a key to human evolution.
Filmmaker Michael Stillwater explores and celebrates the universal current pulsing through all forms of life through music and sound.
Ray Davies, the cornerstone of the Kinks, is one of his country’s greatest songwriters. Over four decades he has provided a feast for all comers, regardless of social station, from the simple urgency of ‘You Really Got Me’ to the detached melancholy of “Come Dancing’ . Our film takes a look at a career that has spanned 40 years – we talk to Ray about his work, life and inspirations, featuring his music from the hits of the early 60’s through to work on his new album and upcoming musical ‘Come Dancing’. The programme includes interviews with David Bowie, Elvis Costello, Paul Weller, Bob Geldof, Chris Difford, Clive Davis and journalists, who all show their respect and admiration for a man who is globally celebrated. Our film, illustrated with archive footage, specially shot performances and stills, will give an insight into the unique creative world of one of Britain’s most successful and influential songwriters and performers.
In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.
A computer generated fern follows a modular synthesizer soundtrack.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
Podium
Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. Live at Montreux 2000 is a concert, released in 2005 by Eagle Vision. Reed performed eight songs from the Album Ecstasy plus a few older ones. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class.